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Body: in sickness and in health

I won't lie; this body and I have had our issues with each other for many years. Body image -- sure. Physical and mental overextension -- comes with being a Type A kind of girl. I still struggle with these things, so they show up from time to time in my writing.

More recently, illness, pure but not simple, has added itself to the mix in a multi-system sort of way. And the challenges in figuring out exactly what's gone wrong are many. As problems have revealed themselves in the last few years, beginning with reactive hypoglycemia in late 2008, I've documented them here, partly to gain a little clarity on managing complex conditions but mostly to give voice to vulnerabilities I feel but don't normally share with anyone face to face. Better out than in, they say, right? (Oh yes, humor is one way I deal.)

The links below cover the different angles I've examined (and from which I've been examined) within that experience.

Travel: neither here nor there

When the person you're married to lives two time zones away, you log a fair number of frequent flier miles. And if you blog about commuter relationships, you log quite a few posts en route too.

Since we're no longer in separate places, I blog less often from airports. But we do travel -- together now! -- which is much more fun to write about. So in addition to thoughts on our years of commuting, the links below cover the places we've been as a pair and, in some cases, the adventures that have happened on the way.

Writing: the long and short of it

Why do I do it? Good question. Maybe it's not so much that I like to write but that I have to write, even when the words refuse to stick to the page. Believe me, I've tried doing other things like majoring in biochemistry (freshman fall, many semesters ago). Within a year, I'd switched to English with a concentration in creative writing and wasn't looking back.

After graduating, I taught English for a few years and then worked as an editor, which I still do freelance. In 2007, I applied and got into an MFA program at a place I like to call Little U. on the Prairie. I finished my degree in 2011 and have been balancing tutoring and writing on my own ever since.

The following links cover the writing I've done about writing: process, content, obstacles, you name it. It's not always pretty. But some part of me loves it, even when it's hard. And this is the result.

Heart: family and friends

I'd have a hard time explaining who I am without being able to talk about the family I grew up in as well as the people I've met beyond its bounds. But even with such context, it's not easy! In the simplest terms, I'm a first-generation Asian-American who has spent most of this life caught between cultures. That, of course, doesn't even begin to describe what I mean to, but there's my first stab at the heart of it all.

That's what this group of posts is reserved for -- heart. The essential parts of my life whose influences I carry with me, for better or worse. The links below cover what I've written as I've learned how these forces work within me, for me, against me, in spite of me. They anchor me even as they change me, and they keep life interesting.

Recommended reading

What do I do when there's too much on my mind and my words won't stick to the page? I escape into someone else's thoughts. Below is a collection of books and articles that have been sources of information, inspiration, and occasional insight for my own work.
Showing posts with label Thesis. Show all posts
Showing posts with label Thesis. Show all posts

Friday, January 16, 2015

Processing and processing

Some time back in early November, I reached the one-year mark for a writing goal I didn't realize I'd set for myself.

When I finished my thesis for Little U. on the Prairie in 2011, I wasn't sure how I felt about writing. I'd spent four years wrestling with words in an environment that was meant to give me the time and space to do just that. And yet, after being put through all the academic paces that went with that luxury, I felt like I'd trained for a foot race only to learn that the event I'd signed up for was for swimmers.

Writing in real life is not a process bookended by predictable deadlines at various points in the semester. Nor is it something you're lucky enough to do with a preselected set of peer reviewers. Not that the work that comes out of all that is at all good, either -- in fact, some of my worst writing happened at Little U. Forced into artificial final form for the end of each term, my work was undergoing revision -- prematurely, it seemed -- before I had even had time to get distance from it, much less consider all the feedback from my professors and their workshops. I hated my thesis. The first five chapters felt like mine, but the rest didn't come from my writing brain; they were a strange, out-of-body text generated to make page count.

Somehow, in creating those final two chapters, I lost my voice and my way. When I got back to Seattle after my defense, I couldn't understand why something I had once loved doing and felt confident doing, despite its difficulties, was suddenly like trying to do calculus without knowing any basic math.

So I stopped writing for two years. Partly because life happened -- I'd been sick for more than half the time I was a graduate student with no explanation in sight and I wanted some answers. We got them. And then we had O. Any hope I'd had of getting back to the page evaporated with my claim on a proper night's sleep for the first nine months of his existence. In the haze of new parenthood, the idea of a writing life was so implausible that spontaneously sprouting a third arm was looking more likely (and at the very least, more useful in baby-wrangling).

But in that mid-fall of O.'s first year, I sat down in front of this screen and put words there, one by one. Not the random notes on life with O. that I'd been posting infrequently, but words from my writing brain. It felt strange. It wasn't the voice I'd had in the past nor the stand-in text generator from my final months of work for Little U. I didn't question it. I just wrote.

And I kept doing that. In fits and starts, yes, but always with the knowledge that I would come back to whatever I left behind, as long as it was giving back to me some measure of mental energy that being a mother wasn't. And suddenly, it was November again, and the work was no longer an exercise but a comfortably demanding habit or practice, which is what I'd wanted it to become all along. I think in returning to the screen, the words, the ways of thinking I had abandoned, I was hoping to make them the part of my life I had failed to establish in a meaningful manner in my previous attempts.

I am still at my keyboard even though there's been little to read for a while here. Words are finding their way to the page, so much so that what I'm working on is no longer a reasonable fit for this space on sheer length and scope alone. So if I'm silent, it's not for lack of news or thought. I'm just working.

This is more than I ever expected would come of going back to something that felt more and more exacting with less and less benefit to anyone when I left Little U. If it hadn't been for O., I might not have pursued it at all. But having him has given me a different lens through which to consider the subjects I write about -- the nature of family and its ever-evolving dynamics -- and with that change, the old sensation of being lost has gradually faded.

I still have no map for the path forward with my work. But for now, I'm no longer trying to see a way out of it.

Monday, August 5, 2013

Sanity, regained


O. is nursing.

At five months, he finally -- finally! -- figured it out and is now able to get what he needs from me without causing either of us trauma. We started giving him the opportunity to nurse without a supplemental feeder just over seven weeks ago, and, within a few days, he was completely off his training wheels. We are ecstatic.

There have been a few bumps along the way since that first day entirely free of the pump -- some frustration on O.'s part, heat waves that have thrown his appetite off, plugged ducts from having to adjust to less frequent feeding demands -- but that's been nothing compared to the brutal routine of juggling so much nursing equipment in the preceding months (see photo). For the first time since O. was born, I've been able to sleep more than two and a half hours at a stretch. This may go without saying, but I have to write the words because I've wanted to for so long: I am a different person -- a sane one -- once more.

Sleep has meant the return of coherent thought. Instead of falling asleep while pumping -- not something I recommend, by the way, as the pump doesn't quit when it's full -- I've had the gift of quiet moments to reflect on what the last five (almost six!) months have been. O. is easily distracted these days, so there's no catching up on Netflix while he's eating. He'll even turn a nursing cover into a toy, so we keep to his room, lights down, for most feedings. He grabs at my hair, my shirt, my hands. And I sit, thinking in twenty-minute stints about the road we've traveled.

For the first two months of O.'s life, I felt robbed. Not of the breastfeeding relationship some books tout as sacred -- believe me, we didn't have any holy notions about my providing nourishment; in fact, we deliberately steered clear of any conversations with well-meaning people who were self-proclaimed boob enthusiasts because we didn't want to get into debates about lactation philosophies and politics. We just hoped breastfeeding would work and we could check it off the list of things to learn to do, like burping and diapering and giving the occasional bath.

But as a few days' nursing strike turned into weeks, I felt my ability to handle the expected abnormal of having a new baby leaching from me. I had no emotional energy left to love O. with. What I would have traded just to have fragmented sleep and unstructured days only from an infant's erratic waking, not his middle-of-the-night cries and the demands of the pump. It wasn't supposed to be this way, I kept repeating to myself, even though I knew it wasn't helpful. I'd look at O. in his rocking seat and dread the next time he'd rouse himself and then feel guilty that I couldn't enjoy him when he was awake. Every interaction we had was too fraught with the frustrations of getting him to eat, figuring out why he wouldn't eat, allotting precious time I could be using to bond with him to contact doctors who could help us help him eat. Eat already! I wanted to scream. "If it weren't for that damned risk of food allergies," I repeated to D. over and over, teary and spent, "we could just stop the insanity and give him formula. I don't care about the rest of the stupid benefits of breast milk. This is crazy."

But the risk was very real because of my family history. And putting ourselves through a few months of pumping to avoid a potential lifetime for O. of eating the way I have since we discovered what was making me sick was worth the heartache. Or so I told myself at my lowest points, when I wanted to quit and said so to O. in no uncertain terms. Fortunately, he understood none of it. He'd grin at me while I mumbled obscenities through gritted teeth, a smile plastered across my own face to disguise the misery I was feeling. I was scraping bottom then but still determined not to let him see or hear it after slipping just once on the phone with D. D. was held up at work, I was on my fourth pump-and-feed of the day (flanges attached, bottle and baby also in my lap), and I was fighting what I didn't realize was a nasty breast infection. "I just need you to come home," I all but wailed at the phone, balanced on speaker mode on a nearby table. At the sound of my agitated voice, O. burst into tears -- not a cry of hunger or tiredness, but alarm. I picked him up immediately, apologizing into the impossibly soft crook of his neck as he rested his head against my cheek and sighed a shuddery half-sigh.

If only everything could be fixed so easily, I thought.

As these recent weeks have brought a new rhythm to our days and nights, I've been drawn to the idea of putting O.'s story into a more formal body of work. Partly to process it all with the tempering effect of distance, partly to reclaim and recast some of those early memories in a way that I couldn't when we were in the midst of the chaos. Hindsight is a gift -- especially with a positive ending.

I don't know what this project will become. Maybe some of it will appear here; maybe it won't. I've learned more than I ever wanted to about making decisions for the life of someone entirely dependent on my good judgment when I was the least objective mind in the room. I know, I know -- this is just the beginning, you say. But had I had the words of experience to hang on to from someone who had once been in our position, I think I would have felt just a little less hopeless at the worst moments. That is a reason, if any, to write all this into something coherent.

Long-form work and I have had a tenuous relationship in the past (think: the MFA thesis that almost wasn't). But the story I was writing then had no resolution. O.'s does. I'll take it as an auspicious sign that I've actually acquired nearly two dozen books from the library just to read what's already out there for mothers who face what we have. There are a surprising number of resources from those shelves that provide information on what we had to learn the hard way or gather in fragmented fashion from so-called lactation consultants. Interestingly, all of the books I requested were readily available -- no waiting lists for holds -- unlike the majority of the popular pregnancy and childbirth books in circulation. I may be jumping to conclusions based on our experience, but I suspect they're hanging out in the stacks because no one knows they exist -- or knows to go looking before they're needed. I certainly didn't.

I hefted my finds into two big canvas bags at our library on one of the hottest days of the summer, wearing O. in his carrier as I bent to remove each title from the holds shelf. He squirmed against me, eager to be free of his constraints or just hungry; I wasn't sure. But he was motivated and so was I. So I'm putting whatever this is -- brainstorm, project, as-yet-formless cloud of inspiration -- out there to give it weight. Matter, in its many senses, because it does matter. And I'm actually a wee bit convinced, dare I say it, that I can carry it for a while.

P.S.: For those of you who have asked how that trip to Florida went, it did indeed get postponed -- and relocated. Stay tuned for our first plane trip coming up in September, as we fete Troubadour Dad's 60th in the Texas panhandle ...

Tuesday, October 16, 2012

A night at the Lo-Fi

On Saturday, it rains for the first time in 80 days, bringing an end to the Indian summer Seattle has held on to for weeks. In spite of the chill, though, I've put on a light cotton dress and the peep-toe slingbacks I've been wearing to swing dancing lessons with D. Tonight's adventure: Soul Night at the Lo-Fi, a self-advertised "performance gallery" whose reputation everywhere else on the web suggests a live-music dive club.

Zoe, a woman nearly my age whom I do volunteer editing and photography for each Friday at the Humane Society, has invited us to come out with her for this event. I have no idea what we're in for, but I figure it's a good opportunity to practice our new dance skills and get to know Zoe outside of work.

We arrive at a building whose front entrance is more board and graffiti than door, at least from what I can make out through a light drizzle and the smoke from the next-door bar patrons leaning against damp brick. Zoe is nowhere in sight, but a girl sporting a cherry-red dye job fading to pink catches the lost look on my face. "Lo-Fi's in there," she says with a grin, jerking her head toward the gaping entryway to her left. I text Zoe, hoping she's already inside.

"Getting liquid courage down the street if you want to join, be there in 10!" is the reply. Alcohol's out for me, so rather than waste time, D and I head straight in. It's only 10 p.m., but these days, I'm usually in bed before 12. Better to take advantage of our chance to dance while I've still got energy.

We know none of the music that the deejay is playing from real vinyl in the dim front room -- barely 25' by 25', 12' by 12' if you count only the space walled off for dancing. But the beat is familiar and I signal to D that it's good for triple swing, even if it's not swing music. Though it takes a moment for us to find our footing, we're soon rocking and twirling around the floor, the smell of baby powder rising from under our heels. "Zoe told me they sprinkle it on the boards!" I shout above the thumping bass.

The room's not nearly full yet, so we get in several good spins under the magenta lights as the details of the rest of the space slowly come to my attention. A dive it is: no seating except a single banquette at one end of the floor and a bar wedged into a corner near the entrance. It's loud and dark and hard not to trip on the ruts in the floor, but I'm happy on D's arm -- as long as we're dancing, I don't worry that I look totally out of place here, even if I feel that way. Even before we became parents-to-be, I was never a late-night club-goer.

Zoe, of course, doesn't know I'm a hopeless homebody, but I wonder if she'll figure that out this evening. I almost didn't want to come, but hers is the first invitation I've received from someone I've met on my own -- not through D -- to do something social since my move to Seattle three years ago. How did it take you so long to start making friends? I think, though I know the many answers. Thesis. Health problems. Working from home. And now, with this baby on the way, I'm facing yet another easy reason not to get out there. Is this what I'm going to give up for good in a few months, I wonder, the chance to hang out with people who still do things like this?

Suddenly Zoe's grabbing my arm, pulling me into a hug. I'm surprised and pleased -- we've never even shaken hands before, but obviously, the vibe at the animal shelter is far removed from the one here tonight. Zoe's also slightly tipsy, but only enough to get her loosened up. She takes me by the hand and all but hauls me toward a long, narrow hall at the back of the room that D and I have initially missed.

"Photo booth," Zoe says, pointing out the curtained machine at the end of the corridor, and then we're in a second room, larger than the first, but not by much. Two more deejays spin records on a raised platform while the crowd, three times as dense, bounces in close, sweaty approval. Zoe's husband of three months and two other women from the shelter emerge from the chaos -- Shona, who also works with Zoe, and Lane, who runs the volunteer program that got me involved at the Humane Society to begin with. We shout introductions all around as a couple wearing rubber horse-head masks squeezes by. They are the only people in costume, but no one finds it odd. Apparently, anything goes here.

Zoe gets down to the business of dancing right away, skinny arms flying in bold-print spandex sleeves. After a while, we take turns partnering up -- Zoe prefers to lead, so I gamely grab her shoulder -- and wiggle around as much as we can among the rest of the knees and elbows. D and I attempt a few moves and end up doing them in half-time for the safety of others, which cracks us both up. In the crush of bodies, we can do no more than step in place -- so much for practicing.

After an hour, I can feel myself beginning to wilt from the heat, but I don't want to leave yet. The group's completely at the mercy of the music and hasn't yet taken a break where we can -- what, chat? Where in this hole-in-the-wall could we do that? I'm starting to rethink my expectations of getting to know anyone on this night when I realize Zoe's waving me toward the photo booth. "Everybody in!" she insists, and suddenly I'm backed against her husband while chest to chest with Shona. I have no idea who is sitting behind us on the narrow bench and Zoe, wedged at the very front of this sardine can, is hollering for singles to feed the machine, which D hands through the curtain. He tries to poke his head in too but can't even get his nose past the burlap. At the first flash, we pose, if attempting to get somebody's -- anybody's -- face in frame can be called posing.

It's funny, but I'm not sure it's fun, the homebody in my head says. Shut up and just go with it, I tell her. We tumble out into the hall and wander back to the dance floor. Lane, purse over one shoulder, grabs my hand and I lead her for half a song before we break into a new configuration under the push and pull of the rest of the bodies around us.

Within twenty minutes, I know I'm fading for good -- I'm bouncing without actually picking up my feet and D can tell. He takes my hand and nods toward the exit. "Let me say goodbye to Zoe," I say. I try not to feel a little defeated. By what, I'm not totally sure: my body, my introverted tendencies, both? Whatever's keeping me from the joy of the moment.

Zoe sees me inching toward her and points at the door. "I'm too hot!" she says. "Let's go get some air!"

Perfect timing, I think. Now I can at least thank her at normal volume for inviting us to come. Shona and Lane follow us outside, where the cold drizzle is suddenly welcome and pleasant.

Zoe shows us the strip of photos she's rescued from the booth. Shona laughs as she peers at one of the shots. "Is that my drink?" she asks, pointing at a tumbler that takes up a good portion of the frame.

"Is that my nose?" Zoe asks in return, indicating a smudged shape right next to it. Then she points at my face, just visible toward the top. "You should keep these," she says, grinning. "Of all of us, you actually look cute in this one!"

I peek at the image and snort -- I'm bug-eyed, mouth open, mugging into the camera with hair sticking out in five directions. But it is spontaneous. I take the photo strip.

Shona checks her phone for the time. "I gotta go get the kids from the in-laws' soon," she says. "My husband's working the night shift on a barge."

"Seriously?" I say. "Crazy hours." We start talking about working night jobs, including my stint as a copy editor in Texas, which leads us to how D and I finally ended up together there after commuting to see each other during college and my first job teaching in New York. Zoe, a native of Queens, asks where I'd lived in Manhattan and we bemoan the rent increases from year to year. And suddenly, we are chatting, the stories running like water from the Lo-Fi rain pipe.

We gab our way through a quick half-hour, gradually getting chillier, but I don't mind shivering -- this is what I'd wanted all along. But couldn't you have gotten here without all that came before? the homebody in my head asks. I let the question go. Then D taps me on the shoulder. It's late for both of us.

"Glad you made it," Zoe says, and I can tell she's not just being polite.

"Me too," I say, thinking of the photos and grinning for once at captured chaos. "See you again soon."

*

I'm linking up with Just Write this week. For more stories and essays, click the button below!

Wednesday, December 14, 2011

Not biting

Back in July, after my thesis received final approval from Little U., one of the last tasks I had to complete to tie up loose ends on the manuscript was to get it copyrighted. For Ph.D. dissertations, Little U. makes copyright mandatory and takes care of this detail to ensure the filing with the U.S. Copyright Office actually happens. For MFA degree holders, you retain the right to pursue official government protection -- or decide your thesis is so objectionable to your artistic eye that you'd rather not afford it such an honor.

I have to say, by the time I was done with my manuscript, I felt only 40 percent of it was really decent enough to consider reworking for future use -- as smaller essays to send to literary journals or as a jumping-off point to reshape the work into a very different book. As it stood, 75 pages wasn't enough to sell as a complete work, especially since it had no ending. (Yes, it stops, but it has no sense of conclusion.)

Because that 40 percent had merit, though, I did go through with registering for a copyright. And within a few months, I started to get postcards from a certain company claiming interest in publication.

Don't get excited yet. This is not a company that likely pays its authors for their work. It is a subsidy press, also known as a vanity press, which will ask its "candidates for publication" to cover some or all of the printing, distributing, and advertising costs. Obviously, I haven't done further research on the particular organization that mailed me, but it is generally safe to say that any group that calls itself a subsidy press does not follow the standard publishing model -- possibly to the author's financial, if not reputational, detriment. So if you've ever been contacted by one of these companies, be forewarned (and then laugh, as I did, because you've seen through their attempt to flatter for money).

How did they even find me, you wonder? Well, per the postcard, a "researcher" "discovered" my registration -- not my manuscript, my registration -- with the Library of Congress; i.e., someone who regularly trolls the record of copyright applications, which is in the public domain, picked out my name along with hundreds of others and put me on a mailing list. How do I know no one has actually looked at what I've written to determine its literary merit? Well, when the postcard is addressed to a "Mr. Contemporary Troubadour," it's pretty clear. Really, if the work is written in the first person and begins at the patient check-in desk of an obstetrician's office, you'd guess the writer was a woman, right?

Sunday, September 18, 2011

Nine weeks

That's how long I've been on this crazy elimination diet.

Yes, I chose not to write about the testing while it was ongoing -- it was life-consuming enough that I needed this space to think about other things, like what I've been examining through my most recent series of musings. I plan to continue adding to that, but more intermittently now that it's established (for me, as a commitment through habit of thought).

In the meantime, I'm beginning to get the much-wanted answers I'd been looking for. Preliminarily, we've determined that dairy products from cows do not love me, as much as I love them. Goat dairy is kinder, but ambiguously so. Eggs lie somewhere in between on that spectrum. Corn and soy are friendly.

Today I will complete one of three different gluten trials, and then we will suspend testing until our return from Hawaii. Our original plan was to be done with all the trials before the trip -- this Thursday! -- but because the dairy tests worked me over so thoroughly, I needed a lot of extra recovery time between each of them, which pushed our testing timeline much further into the fall than I'd anticipated.

I'm a mess of mixed feelings about it all. Relieved to have results at last, some of them quite definitive. Frustrated but resigned to the fact that more testing has to continue when we get back. Disappointed that the dietary limitations we've discovered so far will mean some significant changes to our original vacation plan.

I'd wanted a true getaway, where we'd have largely unstructured time to lie on the beach with a stack of books, bob around in the ocean, catch some tropical sunsets, feed ourselves on inexpensive local cuisine. We can still do plenty of all this -- but we'll have to be vigilant about what I eat that I haven't personally prepared (don't get me started on the pervasiveness of dairy in commercial foods, but do check out this site if you need guidelines for your own dairy sensitivities). And we'll need to cook some food as backup for moments when we're unable to find something that works at those mom-and-pop restaurants (or roadside stands) whose plate lunches or noodle bowls we were so looking forward to sampling. I guess it's the dream of being totally carefree -- not having to think so hard about what needs to be done ahead of time or what contingencies we ought to anticipate -- that is looking more and more unrealistic, and it makes me sad.

Still, I'm determined to be over this by the time we leave. This trip is meant to celebrate our surviving much, much worse. Like, say, all of 2010; the residual aftermath of an extended thesis year; the accumulated tension from the two-year commute that changed us both indelibly.

So I'm making a plan now, to minimize the mental effort we'll have to put in when we arrive. Grocery stores? Located. Cooking facilities? Secured, through our bed-and-breakfast hosts. Restaurant menus? Downloaded and vetted. Restaurant staff? Where practical, already contacted to ask if they can accommodate my dietary needs.

I hope, hope, hope that it all pays off. We may not get to throw caution to the wind, but at least these preparations will let us use the majority of our time to relax, rather than spend it on pesky logistics ...

Saturday, September 10, 2011

Scenes from a graduation, part 6: these ceremonial rites

When we get to the concert hall several hours later, no one is wearing academic regalia -- at least, not yet. The graduates will not arrive for a little while from morning exercises. But there are families milling about, some members clutching black robes striped in kelly green, the colors for those who already hold degrees in medicine. These are for the hooders, most of them parents of the graduates but some of them spouses or siblings.

The gown my mother hands my father is cardinal red.

"He insisted that it had to be this color," she says, rolling her eyes, "because he's a fellow." Red denotes not just my father's doctoral degree but his board certification in a sub-specialty, cardiology. My mother sighs. "Look at him; now he doesn't want to put it on because he knows he'll stand out."

And she's right. As the rest of the hooders begin to unfold their garments, my father hesitates, glancing self-consciously around. Perhaps he's second-guessing his insistence on the "proper" colors for his rank. There are, without question, numerous other fellows in this crowd, but they've all opted to keep the information to themselves. Each doctor will be on stage for mere minutes, half obscured by the graduates they will hood. Why the need to make such a particular visual statement? Pride, yes. But in the case of my father, it feels misdirected. While I can't know for certain what his motivations were when he ordered his robes, I suspect self-importance guided the choice more than the desire to wear his best, so to speak, out of respect for my sister.

I pity him a little, as his insecurity flickers into view. He couldn't help himself, I want to say to my mother, not sure if it's meant to excuse his hubris or condemn it. Neither seems appropriate, so once again, I pull out my camera. Even if I can't sort out the color of my thoughts, I can save the image of the moment to muse on later.

*

Rewind six months. I am elbow deep in boxes of photos and memorabilia at my parents' house, not sure what I'm there to find, but the clock on my thesis is ticking. The idea of graduation -- mine or anyone else's -- is far from my thoughts.

My mother and I have been talking since late summer about the whirlwind weeks of my parents' courtship. Four, to be precise. They'd started dating in the final month of my father's senior year of college at a Canadian university, after which he started medical school in the U.S., on a campus nine hundred miles away. My mother still had a semester to finish and hadn't planned on moving to another country.

But my parents wanted to remain a couple, she said -- the story of which I'm intrigued by, tempted to write. They'd already started talking about marriage by the end of those four weeks. So they courted by airmail for the entire four years that my father was studying to become a doctor.

In his home office, surrounded by stacks of unread medical journals and copies of call schedules, I finger the edges of a photo taken on the day of my father's medical school graduation. His school, unlike my sister's, does not have a special robe color for degree candidates, so he stands on the lawn that flanks the university chapel, in black and green like the faculty. He is alone in the picture, hands clasped in front, mortarboard as square to the top of his head as his gaze is to the camera.

"Who took the photo?" I ask.

"A classmate," my mother says. It was too expensive for her to fly down for the festivities, she explains a little sadly. "No one from his family went either -- too far to travel from Hong Kong." This latter excuse, we both know, is only half true; my father's parents rarely made much of personal achievements. These were to be expected rather than praised or celebrated, as he'd learned early on in his childhood.

We are quiet for a moment. The story that follows is familiar now to both of us: how my father left for Canada immediately after the degree ceremony, driving all night to get back for their wedding, which was to take place within days. It's misleading, then, this portrait's pomp and circumstance, its staid, unhurried pose. That someone managed to capture it -- my father was likely on his way to his already packed car when his friend offered to take the shot -- was fortuitous and may have been the only moment, however brief, in which someone else shared in his achievement the way a family might have.

It is this image that I suddenly remember in the concert hall foyer, as my father finally lets the folds of cardinal red fall open, and I wonder if he is thinking of that day some thirty years ago, footnoted so fleetingly on film. As he fumbles with the sleeves, the zipper, the hook, his face remains unreadable, his eyes focused solely on the task at hand. Because he has been raised to be this way -- practical, unsentimental -- he will not let on, even if this garment reminds him of the chapel and the lawn and the few seconds' pause before the click of the camera's shutter.

Perhaps my mother remembers the photo too as we reach automatically to help him smooth and straighten. The hood, lined in his alma mater's colors, flops and dangles like a superfluous appendage -- "Hold on! Don't walk off yet!" we tell him as we try to get it to hang at least somewhat centered down his back. When we are finished, my father examines our work and chuckles for the first time that morning, at himself. In spite of the curious looks he's beginning to draw -- "They think he's the university president," my other sister whispers -- he looks pleased.

*

My father and Almost Dr. Sis see each other for the first time that day from across the concert hall. Or maybe only he sees her. In the images we collect from that hour, my father stands against the right-hand wall leading to the stage while my sister stands on the opposite side. The room is too large to capture them both in the same frame. In my father's picture, though, he is clearly looking toward his daughter, whose own eyes are aimed at the line of deans whose hands she will soon shake.

I do not remember thinking much in this moment, though so much thought has gone before it -- my questions about what I would feel, watching my sister and father partake in this long-running ritual, the symbolic induction into an exclusive circle, both professional and familial. All I know is that I have a job, to record the moment as it unfolds. (The video capabilities of my phone are limited, but it is the best we have.) Though I won't realize it until afterward, I'm relieved to have this duty, to be able to focus on the task so that any other thoughts -- and the emotions they might carry -- do not become overwhelming.

We know they will announce my sister's name, followed by the name of her hooder, but hers has barely been broadcast when we, too excited by the first-time use of the word doctor as her official title, cannot keep ourselves from hooting like fans at a sporting event. My father's name is completely lost in the roar.

A wisp of guilt blooms within my chest -- I would have liked to capture my father's honors here too. I know then that in spite of his ego, I still care that he has missed so much in his life: not just the presence of family -- his and ours -- but the affection that comes with it, something he has been so used to living without. You are important too, I want to tell him, for each moment he ever privately doubted this -- and felt the need to compensate for it.

It takes my sister some time to cross the stage, so we are calm when she finally reaches my father, who stands with hands folded just as he did on the day of his own graduation, serious and proper. She passes her green velvet hood to him, turning to face the audience as the deans have instructed each graduate ahead of time, then bends at the knees slightly, as if curtsying, so my father can place the hood over her head from behind. Even so, he knocks her cap slightly askew. She grins as she straightens it, and -- is it possible? -- seems to look directly at us as we wave. I wonder if my father can see us too.

There is no time to find out; they must exit the stage to make room for other graduates. Quickly, my sister turns to hug my father, her enormous diploma in its cover between them. And then, to my surprise, instead of offering his usual one-handed pat on the back, my father raises both arms, almost as if opening a pair of wings. He folds them around her, pulling her close, draping her in the scarlet of his own mantle, oblivious to the leather folder poking them both in the ribs.

The moment lasts only a few seconds. But his smile, when he finally lets my sister go, is just as broad as hers.

For more from this series, please click here.

Friday, June 24, 2011

Scenes from a graduation, part 3: projection

In the auditorium of a local hotel, finally done traveling for the day, I slip into a cushy ergonomic chair that rotates. This isn't theater seating; it's conference hall seating. An enormous projection screen dominates the front wall, and the School of Medicine's glossy logo has been carefully applied to the wooden podium beneath it (removable decals, I'm guessing). Individual ethernet jacks and power outlets, built into the console table stretching across each row, make me feel like I ought to fire up my laptop to take notes. But we -- Troubadour Mom and Dad, my youngest sister and I -- pull out cameras instead.

Of course, we're not here for a lecture. This gathering of parents, siblings, children, other relatives, and friends is like Class Day from our undergraduate commencement festivities, a smaller celebration before the next day's all-graduate ceremonies with the lawyers, the engineers, the MBAs, and so forth. Tonight, a class-chosen faculty speaker will bestow light words of wisdom, a classmate will offer humorous reflections on these last few years of training, there will be a few awards, and then we'll all disperse for heavy hors d'oeuvres. My sisters and I share the same alma mater; I wonder if they also feel a certain déjà vu as we wait for the proceedings to begin. But maybe the conference room setting is too different to them. Class Day, so many years ago, was an outdoor folding-chair affair that, in Almost Dr. Sis's case, took place in a downpour.

I have to laugh a little at myself, always seeking the structure of things, the bones of each new experience. Is it just my way of handling the unfamiliar? Perhaps -- the parallels underneath, analogous armatures, ground me. But it is also a way of remembering, better to secure the details. For our family, there will be no other sister who passes through this medical program or any other. One chance, then, to enjoy these moments for what they are.

The soon-to-be graduates process in, the men in suits, most of the women in dresses. Academic regalia is reserved for the next day. I have not yet seen Almost Dr. Sis since arriving -- does she see us? No time for her to look up, but we follow her with both eyes and camera lenses.

I don't snap any shots, though. The pictures I might get would be blurry, I realize -- the camera on my phone isn't the best for subjects in motion -- and I'm happier without the filter of a viewfinder limiting what I can see. I lean forward, watching my sister in a soft white frock, glossy like meringue, cross into her assigned row.

It turns out that she is in charge of presenting the class gift this evening. As she steps toward the podium, the screen behind her suddenly lights up -- the audiovisual crew working this event has zoomed in, and my sister's head, now ten feet tall, smiles back at us in startling digital glory.

And I can't focus on her, the small woman in the flesh at the microphone. Her slight movements -- a nod, a turn, a tilt of the chin -- become giant ones on the screen. I'm reminded for a moment of Dorothy's audience with the Wizard of Oz. Of course, my sister and her video image are identical, unlike the thundering puppet head and its master, but the projection is still a bit disturbing. So dramatically magnified, it draws the eye away from the real person below.

But isn't that the point of it? I think. To help us see better, to allow us an enhanced point of view?

Maybe. I feel like I'm losing something, though, if I ignore the woman standing right in front of me in favor of the bobbing on-screen head. I can't watch both. I try to anyway.

*

The hors d'oeuvres at the reception are, indeed, heavy. Fortunately, to save me from eating too much, there are scores of my sister's friends to be introduced to. Some I recognize from my last visit a little over a year ago. Others are mentors I've heard of only by name.

There is one woman whose face gives me a double-take. The wire-frame glasses, the slightly upturned nose, the sandy curls, front teeth that peek out below a thin upper lip with a bit of mustache, and that raspy voice with a New York accent -- she is the doppelganger of a professor who has sat on my thesis committee for two years. The woman at Little U. is the sort of person who invited my research methods class, which she also taught, over to her house for potluck on the last night of the semester, just before I moved back to Seattle.

The woman at this reception supervises a group of medical students who travel each summer to run a clinic in South America. I realize my sister introduced me to her on my last visit, at a coffee-shop planning pow-wow for one of those trips. The woman doesn't remember me -- and I don't expect her to -- but the memory of her warm hug from that first meeting comes back as I greet her now. She is effusive, pouring forth compliments about my sister, this class, how special they are to her. It's impossible for me not to remember my own professor's words from potluck night, the same sort of praise overflowing from her in uncannily similar tones.

I'm not looking for these parallels in this moment; they've somehow found me. But for once they aren't grounding. In fact, I realize, I wish not to see what I see this time because it's made me aware of the other comparisons I can't help making -- between the path I chose, to write, and the path I rejected, to become a doctor myself. At one point, that was what I truly believed I wanted to do.

The need to be present for this rite of passage, then, the importance of getting here. You wanted to see what could have been, a voice whispers in my ear, and I recoil.

Don't, I hiss back silently, guiltily. This isn't about you. I glance around the circle my family has made around my sister and the woman who continues to effervesce. Good -- they haven't noticed the extra head I've suddenly grown, or the conversation I'm having with it.

For more from this series, please click here.

Sunday, June 5, 2011

Scenes from a graduation, part 1: getting there

This is the first in a series of posts chronicling my whirlwind second half of May -- there was too much to put in a single post, and the trip generated much for me to think about, so here's the compromise: a story in parts. For the entire series, please click here.

My suitcase gapes at me from the bedroom floor and I wonder if the zipper will close. Nine days of clothing for three different cities with three different climates and three different kinds of celebration -- this is what I have to pack within the confines of a single carry-on.

My first stop on this trip is Almost Dr. Sis's graduation from medical school, which promises to be cold and rainy. Very rainy. Here in Seattle, we're used to mist and drizzle, but in the Midwestern town where she's lived for half a decade now, there are thunderheads gathering and a long sweep of heavy gray downpour following behind.

On this Friday afternoon, I've just tucked a pair of wool slacks into place -- it promises to reach the mid-40s in the evening, though we're in the latter half of spring -- when the phone rings. It's my mother. "Our connecting flight was canceled and we're driving from Chicago," she says, with irritation. "Can you look up directions for us?"

I can hear my father at the wheel in the background naming interstates. "Do I want 290? 294? Ask her which one, which way -- " His agitation rises with what I'm guessing is each passing road sign. They are on the arteries that skirt O'Hare, circling blindly.

My mother tries to address my father's question before I've even had a chance to grab my laptop from the bed. He doesn't trust her answer; they bicker. I fumble at the keyboard, calling up maps, the hair on the back of my neck beginning to stand on end. The memory of previous car trips from childhood: my mother misreading directions, their ensuing fights, my sister and me shrinking small and silent in the back seat with our younger sister, still a baby, between us. My hands work faster now as their voices escalate.

"Here," I say. They're too busy arguing to notice. "Mom. Mom." No answer. In my own home, two thousand miles away, their presence is suddenly too loud, too close. "WILL YOU BOTH SHUT UP ALREADY?"

Silence.

I wince, expecting even now, as an adult, a sharp reprimand from my father for my tone of voice, but maybe only my mother has heard me clearly -- she is the one holding the phone. I plunge ahead before either of them can say anything, offering exit numbers and mileage estimates in lieu of an apology. "It's about seven hours," I note.

"We'll make it in less time," my mother assures me. "You know how Dad drives. By the way, he wants to know which flight you're on tomorrow."

I suppress a sigh, knowing my father is worried that I'll end up in the same predicament -- except with the graduation ceremonies scheduled for Sunday morning, I'll have much less of a window to get from Chicago to my final destination. It matters. My father, a doctor himself, will be the one to place the doctoral hood on my sister, a moment that, to me, feels somehow essential to witness in person, though there will be professional photographers and videographers to capture it all. And I wonder, suddenly face to face with that truth, why it should be so. Of course I am proud of her. But it is more than just being present to let my sister know, more than sitting in the same room with her for this long-anticipated, hard-won induction into the professional circle my father has been a part of for many decades. What is it? I ask myself. And -- with even more curiosity, as I suspect it is for different reasons -- what is it that makes my presence so important to him?

There isn't time in this afternoon to muse, only to finish packing. "Can she take the red-eye tonight?" I hear my father ask.

"No, but I'll look into bus options for tomorrow afternoon, just in case," I promise.

*

On the jet bridge the next morning, I check my seat assignment: 10A, on a window. When I can, I pick seats with a view; it helps with the tendency toward motion sickness both my sister and I have inherited from my father.

As I step into my row, however, I'm greeted by a solid wall. No porthole, not even half of one like some seats get when they happen to fall between windows. Just a beige expanse of siding. I peer at 10F on the opposite side of the aisle; the oval pane there throws light back at me, ordinary as can be.

I feel, not surprisingly, closed in against this blank barricade. I check the status of my next flight on my phone; still on time. But this flight, the captain suddenly tells us over the intercom, will be delayed. Chicago's still having weather.

D has my flight information and instructions to be near his phone around the time I'm supposed to land at O'Hare, in case he has to make a quick bus ticket purchase for me online. Will I be able to make my connection? Will there be a connection to make? I turn my frown to the wall to my left. I can't see what's on the other side, can't see what's to come.

*

It is the first flight I'm taking from Seattle after finishing my thesis, and for a moment, when we finally leave the runway, I'm a little giddy. When the flight attendant announces that we may now use approved electronic devices, I will not need to wrestle my laptop from my backpack and attempt to write. The goal I've been working toward for four years is all but done; only Little U.'s approval of the document -- formatting compliance, verification of my committee's signatures endorsing the final submission -- is pending. Perhaps by Monday, I tell myself, the day my sisters and I will fly to Texas to spend the middle of the week at our parents' home.

But as I speed toward the thunderheads in Chicago, without a view and without the deadlines I've been so used to, I'm forced to sit with my new lack of purpose. It's only transient, I know. Still, I envy, just a little, my sister's waiting future. A residency at a prestigious hospital in Boston is the next step for her. What the experience will hold is certainly unknown, but it's better defined than the summer I have before me. The plans for whatever I choose to do next with my life still wait to be constructed.

The plane banks as the captain adjusts our trajectory. I turn automatically to the window I don't have and feel my stomach protest. A quick glance to the right, to the view I can steal from 10F. It's limited, but it's better than nothing.

Thursday, May 26, 2011

In the last two weeks, I ...

... visited three cities in three separate time zones via seven airports.

... slept, because of travel, an average of five hours per night. Yes, an average.

... received final clearance on my thesis from Little U. on the Prairie.

Which of the above is the most likely reason I've been catching up on R&R in the last 24 hours (and, as a result, neglecting* this blog)?

* A return to more regularly scheduled programming is promised as soon as the circles under my eyes are a little less prominent. I'm off to take another nap.

Wednesday, May 11, 2011

It's not starting over

It's just a new point of embarkation.

That's where I feel I am, now that Monday is past. That's when I mailed my final deposit of my manuscript to Little U., where, hopefully, it will arrive and undergo review for archiving by the end of the week. Once it receives clearance, I will be DONE. My degree should arrive in the mail in late summer.

We -- D and I -- are thankful to have this nearly behind us. It's been an incredible strain on both of us for four years, first because of the return to a commuter relationship it required and secondly because the thesis portion dragged out and drew resources from me in ways that made our marriage suffer. I can't begin to encapsulate how exactly that worked (or, rather, didn't), but the effect was a stagnation in our growth as a couple. We'd never had the chance to have a "normal" existence together because of the long-distance situation that limited us before we were married and then our work schedules afterward (D worked days and I worked nights and weekends). We did our best, but we were inexperienced. We floundered.

The holding pattern we maintained during this last year was only just bearable, with much of the credit to the help we sought. Now that thesis work is essentially done, we are refocusing on what we need to get to a better place.

D's been angry about the idea of starting over. That's how it all feels to him -- that somehow, everything we'd been through in the last twelve years together "didn't count." I'd argue that it very much does. We learned a lot of survival skills; they just don't apply as much anymore.

So, as we construct a new set, I'm doing my best to foster some optimism for both of us, even though he's not quite there yet. It's exhausting. You want, at times, to scream when you feel someone else scattering the fragile pieces of hope you've propped together like tinder waiting for a spark. But it's not nearly as crazy-making as battling a past-due project, deadlines come and gone, alone. As much as D wanted to, he couldn't help me write, and the responsibility I felt for our misery put me in a constant low-level panic (with intermittent high-level spikes). Now that the precipitating factor for much of that is gone -- and I'm saying no to any new deadlines that involve paying tuition on top of having to meet them -- I feel like the balance in our dynamic has a chance at restoration.

There will, without question, be other events to throw that balance off. But before then, my hope is that we'll have better tools in place to make what comes more manageable. That this will be our hope soon.

Sunday, May 1, 2011

Things I can no longer ignore

It's funny how timing works out.

I've had my head in my thesis pretty steadily (and intensely) since February -- and in the midst of concentrating on the project with so much of my brain, I had to let a lot of other things on my radar remain, at best, peripheral. Which included some aspects of my health. Nothing debilitating: some skin irritation, nerve wonkiness in my hands and feet, intermittent GI protests. The last issue has been ongoing since the middle of 2009 (despite the work-up a year ago), and after so long, I'd practically gotten used to it.

But about two days before I turned in my thesis to my committee, things started to get noticeably worse. Fortunately, I had a follow-up appointment with my doctor (the new one) the day after my draft was due, and her advice, after hearing everything that had been going on for so long, was to consider a food sensitivity as the culprit.

"Gluten and dairy," she said -- these were the most likely suspects. So she suggested an elimination diet followed by an allergen challenge. "Just try going gluten-free for three weeks then dairy-free for three weeks," she said, "and see what happens."

What else is a girl to do with all her newly available time?

I took the news back to my dietitian, who happens to specialize in this kind of testing, and she printed up the protocols. I figured the process wouldn't be fun, but it would be short-lived. Then I looked at the instructions.

"To make this kind of testing accurate and meaningful, you'll want to do more than eliminate gluten and dairy," she told me, pointing to a greatly expanded list of foods and food additives. "Sensitivities can occur in groups. So ideally, you'll want to test all of them."

I won't reproduce the whole catalog here. But let me name a few choice items besides gluten and dairy. Corn. Soy. Eggs. Peanuts. Tomatoes. Peppers. White potatoes. Processed and/or non-organic meats. Shellfish. Strawberries. All citruses. Caffeine. Alcohol. Refined sugars and artificial sweeteners. Processed oils. The list is, even for someone who already has experience with dietary restrictions, more than daunting. And the diet has to be followed for nine weeks, four to allow the body to get rid of residual allergens, then five that cycle in -- very carefully -- each group of potential irritants, one set at a time every third day.

Let's just say this isn't how I envisioned I'd be spending most of the summer.

There is an upside: if I can get this done by mid-September, I will potentially know exactly what's making me feel less than terrific -- and, after getting rid of the little menace(s), be able to go to Hawaii feeling better.

So. After the thesis is officially finished, I'll be looking into the logistics of this new project. It wouldn't be quite so intimidating if I lived on my own and had no one else to answer to. But we've been looking forward to being more social, inviting people over for potluck, taking an extended bike trip with a few friends, visiting and being visited by family. All of that suddenly seems incompatible with the trial because it's inconvenient for the people around me. Imagine subjecting visitors to all of those restrictions when we eat at home or outside the house. Or, in the opposite vein, consider the culinary acrobatics of preparing dual meals so guests can eat "normally," hosting a potluck but not eating what your friends have prepared, going to restaurants but not ordering anything and packing my own food to consume before or after. (Seriously, what are the chances a mainstream eatery will have something, besides a naked lettuce leaf, free of refined sugar, processed oil, corn, soy, eggs ...)

And then there are those looks. The ones you get from people who don't understand your limits and, once they realize just how many there are, back away warily. I shouldn't have to apologize for my circumstances but I often feel like it's warranted -- for the relatively few restrictions I have now, which already make some people uncomfortable.

I know -- those instances are occasional and I shouldn't expect to run into them all the time, but they reduce me to a sense of profound and irrational loneliness. I can't let that prevent me from doing the testing and I can't let the testing keep me from having a life. But how?

Well, if there's anything I'll learn from this experiment, it will be some kind of answer to that question.

Thursday, April 21, 2011

Printed and mailed!

And good riddance.

I can't say I like the revision I sent to my committee on Monday afternoon, but in the limited time I had to address all the comments from my advisor, I did the best I could with the file. The hard copy, which goes to the graduate college review board for more technical assessments (formatting for the purposes of binding, archiving, etc.), went out from the post office today.

So I am, until my defense a week from Monday, free of responsibility for this draft!

The last two weeks have been disheartening because the writing really did become an endeavor for the purpose of finishing my degree, to satisfy my advisor's concerns rather than adhering to the larger vision I had (and still have) for the book project. Because the work is by nature incomplete -- writing a book and writing a thesis are not on the same scale -- and because the thesis also needs to be "complete," i.e., must set forth enough evidence of thought and inquiry into my subject to merit a sense of a focused investigation, I found myself revising at cross-purposes when I tried to satisfy my instincts and my professor's. Obviously, she and the rest of my committee will determine whether I graduate, so I ended up making some changes that I will be taking out again once I have the degree in hand. (I'm trying not to think about the remaining round of post-defense revisions that I'll have to complete before that happens.)

Life here has calmed down some since my last post. It's a relief. Thank you to the lovely people who sent private words of encouragement -- you know who you are. You helped me endure a craptacular two weeks where everything seemed to go pear-shaped and I had no choice but to get through it.

In the interim before my defense, I'll be doing some serious decompression (in between a lot of backlogged household chores). And I have a new project. Not one I'd say I elected to take on, but one that has taken on unexpected priority. More on that very soon ...

Thursday, April 7, 2011

How to eff the ineffable

A writer classmate of mine once used that phrase, which she'd acquired from a former professor. I'm invoking it now because, well, there's a lot I'd like to eff.

I don't mean eff as in that wonderfully flexible expletive I would have liked to utter (as noun, adjective, verb, or other part of speech -- thank you, George Carlin) when, at the end of yesterday, my manuscript was not in my hands. Yes, I've e-mailed my professor to get the tracking number.

No, I mean, the unbloggable kind of things I'd like to eff. There are those things that, though usually not trotted out in conversation with acquaintances, I do write about here: thoughts on family, thoughts on illness.

But then there's the stuff of ugly fights, in person, on the phone. The kinds of things you take to a mediator because you just don't have the perspective to work through them in a constructive way. Because both parties involved are raw.

That's been the last month, after many more months of buildup. And I'm not inclined to go into it here because it's not constructive. Not yet.

But that plan for getting through thesis? Well, it works when it's just thesis stuff getting me down. It's not enough for the specific kind of loneliness you feel after you hang up (by mutual agreement), after you sit for hours in silence not knowing what to say or do (because the alternative -- speaking -- will make things worse).

This is what makes my thesis feel so pointless sometimes.

Yes, we have professionals lined up; yes, it's helping. A lot. I don't want to imagine where we'd be without all that in place. We are so new, however, to the changes we've agreed to make, so used to the old habits. Under duress, we fall back on what we know and everything refragments.

I confess: yesterday, I totally effed my plan. Today, I get back to it. And reshape it to address what I can't eff here.

Tuesday, April 5, 2011

Pruning and grafting

My manuscript is somewhere over the U.S. today.

I'd e-mailed the full draft to my advisor last week, as instructed. She wrote me a harried reply late Sunday night to say she'd only started reading it that day, was halfway through, and was exhausted. (She's teaching an overload and is on seven other thesis committees, she said, as she's said numerous times this semester.) She'd been writing directly on the hard copy she'd printed off. Could I give her my address so she could mail it to me, two-day air? Just the first six chapters. On the seventh, she'd had nothing to suggest.

Nothing? That gave me some pause. They say any editor, when she's giving your work the attention it ought to have, should be able to find something.

I gave my advisor the information, hoping she'd keep duplicates in case what she was sending got lost. I almost asked her if she'd do that for me, just for my own peace of mind. But I couldn't quite ask her to make copies. She was already fried. She didn't need to hear my implied mistrust -- of her judgment, the postal service, the universe. I'm working on that last one, but old habits die hard, especially after last year.

When that package hits the front porch tomorrow, I'll need to be in the frame of mind to dive in, assess what and where to add or subtract with my advisor's guidance, limited as I'm afraid it might be. And I knew that, when I sent it off, given her increasingly frazzled notes in the last two months. So I took the last days of the previous week and the weekend to leave the draft completely, to prepare myself: laundry, yard cleanup. I can't edit well when I'm surrounded by clutter.

The lavender we planted two summers ago is turning green again after the winter. And it was looking leggy. I squatted for an hour, clipping away dead wood, tidying, shaping, peering at tiny silver shoots, trying to determine how the plants would look in a few weeks' time when they had filled out.

This morning, I saw them from the kitchen window -- six little fuzzy globes by the flagstone walk -- and mumbled some kind of prayer: let me be able to see what I need to see tomorrow and for the rest of this month.

The routine my advisor and I have kept for the past two years has been more like this: I send her pages; she writes a note back summing up her general impressions with a list of specific concerns at the end. It sounds like I'll be getting the specifics as they appear in the margins, but the big picture, right when it really matters? That's what she won't be pulling together for me; she asked my permission, in a way, to be excused from that. I'm disappointed. If there was ever a time that the larger impression felt crucial -- but I can't worry about it. There just isn't anything more I can ask of her, so enough. I'll make do.

Six little fuzzy globes, six hairy chapters. At least it's not a delicate bonsai ...

Addendum 4/6: No package as of 8 p.m. PDT. Insert choice expletive here.

Wednesday, March 30, 2011

Alternatives

The hazards of heavy deadlines: a heavier Troubadour.

Not by much, but I can feel it in the way my clothes fit and I know exactly where it's coming from. I wish I could say it's just the excuse and abuse of a few irresistible restaurant menus from celebrating our birthdays earlier this month (both D and I had them). But really, it's days of an extra spoonful of this at lunch, an additional morsel of that at dinner, straight-up standing in the kitchen with one's head in the pantry in search of something to take the edge off all the stress, the kind that builds up in between those outings I wrote about last week. Salty or sweet, this girl has been going after snacks that sate her inner child who is long past tired of being told just one more page, hell, one more sentence ...

And I need to, um, scale that back.

But I also need alternatives. Because I still have a month to go before the defense -- Chapter 7 is heading off to my advisor tomorrow, after which we will do a broad assessment of the project for the purposes of revision -- and mental resources are running thin. I'm still five pages short. There are other unbloggable things going on that are making me crazy in my downtime. And my habit of medicating with food, while a tried-and-true (tried-and-false?) quick fix so I can get back to the so-called degree-finishing plan, is not working in my favor.

I'm holding myself to this by writing it here -- a plan to help me deal with my other plan. To wit, instead of sticking my head in the pantry, I will ...

  • stick my head in a book, even if only for fifteen minutes. And if I don't like the one I have on hand, I'll go find another one. Who says you have to read books one at a time? Different moods, different texts. To make this work, I'd better pile a few choice items in one place. It's ridiculous, but the endgame of thesis writing increases personal inertia some thirty fold. Don't ask me about the laundry that hasn't been done.

  • do something nice for somebody else. Small things that don't take a lot of time, like looking up and e-mailing a recipe that someone asked you about. Because if you're thinking about other people, you're not thinking about yourself, and that is EXACTLY what I need when I'm trying to get away from my own stress.

  • work on plans to go to Hawaii. Yes, travel preparations come with their own stress, but what's fifteen minutes of reading about where I might stay/sunbathe/swim in a lagoon fed by a natural waterfall/forget I ever thought this degree was a good idea/reward myself for getting done?

  • indulge in some TV via Hulu or Netflix. I usually save this exclusively for when I'm working out on the elliptical machine, but since January, I've been writing while on it (a funny picture, I'm sure, but it works). So I have a backlog of shows I keep telling myself I'll get to. Such entertainment without accompanying cardio may indeed lower my resting metabolism further, but at least it's not more calories in, just fewer calories out.

  • look up potential bike trails in our area. Summer is coming, and D and I want to try a few local outings once all of this thesis business is out of the way. It's not skiing, but we need an outdoor physical activity during non-snowy months that we enjoy together. We've figured out it's one of the better ways we bond.

Okay, I think that's enough for now. Take that, thesis! I will get done with you yet.

Monday, March 21, 2011

Feelers

I've been quiet here, I know. It's a mixed silence, some of it imposed largely out of respect for the devastation in Japan. What sorts of things that I normally write about here have any importance in the face of the aftermath there? I've watched the headlines, counted my blessings. Inched forward with writing elsewhere -- thesis, primarily, and other notes to self.

I'm on the home stretch, despite my advisor's rejecting my most recent plan to get my page count where it needs to be. We don't do analysis in this program, she said; it's not required. By which she meant, no, I don't want a report. I want more of the story.

So I went back to my draft. She'd looked it over and sent good comments, so I had new ideas on how I might make Chapter 6 grow. Early last week, I forwarded a revision to her. Now, with Chapter 7 under construction, I have just nine pages or so to go.

It's a relief -- April 1st is my goal for the final chapter -- but it's also meant a certain amount of living under a rock (beyond reading the online news). I'm taking it in stints. Each weekday, a morning session, an afternoon session. Nights off. At the worst part of the struggle to get Chapter 6 started, I was staring at the screen at all hours, still getting nowhere.

To counter the feeling that I'm turning into an earwig, I've imposed mandatory outings that involve interaction with people. To get lunch with new acquaintances during the week (a girl has to eat). To peruse an art exhibit on a Saturday afternoon, to attend the symphony with D on a weeknight, even to ski. For that last one, I took the thesis with me and nearly got carsick working on it while D drove into the mountains, but it was worth the effort. I wrote until I was nauseated and then skied until my legs threatened to buckle. Went back home with a clear head, which, above all, is what I need to keep my writing brain moving.

It's not what I expected my writing process to be, but it's true that you can't write well if you spend all your time with your attention turned within. So I'll take it, even if the workaholic in me keeps tapping my shoulder and pointing at the time.

Nine pages. The end's in sight.

Addendum 3/22: Airline tickets for the defense have been purchased. No turning back now!

Friday, March 4, 2011

Creative writing?

Another week, and still not much progress. My thesis is trying to write itself in the best way it can, but there's no brain behind it. Or rather, no heart. The paragraphs I've strung together have technical finesse, but the words feel hollow and directionless, like a blurry facsimile of the real story I want somehow to tell. And the writer in me knows it. After letting the thesis grow so many lines of text, like mutant tentacles searching for a place to catch hold, my own brain balks. This just isn't going anywhere, it says.

I've hit the point in the narrative where the story is too big for me to see its arc again. Unfortunately, this isn't a block that can be solved by reading the words of other writers for reinvigoration. In a way, it's like I've been trying to work my way out of the center of a bull's eye. The tiny circle in the middle was the first chapter; the next ring out, the four that followed. Finding a vantage point from which to see that second group of chapters took months -- from last February to last August -- and I don't have the luxury of time anymore.

I have some twenty pages to fill and two years' worth of research. Even if the story isn't falling into place, my process of seeking answers is certainly well documented. So my plan, which I've now e-mailed my advisor, is to use all of that to write an afterword. It'll give voice to a lot of questions that haven't yet been asked within the narrative and reveal the as-yet-unaddressed pieces of the story, rough as their introduction there might feel to me.

It's not the way I want to finish this. But finished is what this needs to be.

Addendum 3/6: My laptop fried a portion of its hard drive today. First the adapter cord, now the disk itself? I'm not liking this trend.

Friday, February 25, 2011

Note(s) to self

I feel like I need to write them.

I have been, actually. A quick e-mail here and there, just a sentence or two. Don't forget to do this, be sure you remember to pick up that, call this person, mail that letter, tell yourself these things because if you don't, they will blow away like powdery snow that refuses to stick.

But there's more than a list of chores accumulating in my inbox. There are ideas, baby ones, for writing. For essays that will have to wait till the thesis is done.

Trust me, I'd work on both if I could, but I know the limits of my energy and concentration. Still, I'm excited. For so long, I've wondered if all I had was this work, and if it was never to get finished or I lost interest, what then?

What then.

I wrote about inspiration in the days after my conference, and then I found myself without it last week. Out of some instinctive need, I went to the library and turned to the voices of the writers I'd met -- some in person, some through the mention of their work. And the fog in my mind began to clear.

It was not the exact subject or idea that helped me. In fact, reading someone else's work on the same thing you might be writing about can be very intimidating -- it's been done, it's so easy to think. And there are critics who will say that it's true, that love and death and trauma are all tired topics. But it's not the what of the writing; it's the how. One of the panels I attended was dedicated to that idea, what happens when we're told that something is too "done" -- or so the language runs -- to write about anymore.

I came away from that panel with more resolve behind what I'd been trying to do in the last few years. Not that this alone can clear those pesky blocks from my mind when the work doesn't know where it needs to go. But in reading the prose of one of the panel members this week, I was able to get away from my own tangled thoughts and understand, through her way of narrating her story, that sometimes not knowing how to proceed is itself the fiber that can tie words together. Instead of trying to sew up holes, I needed to point them out. And what each person doesn't know, how she navigates that -- this is what fingerprints a work, making it its own.

Chapter 6 is at last under way, and no, I still don't know where it will end up. But I know with certainty now that this is okay. That the examination of the unknown itself may be just where it needs to go.

Thank you to everyone who's sent me suggestions, exercises, and even talismans for kicking the writer's block! It's been incredibly helpful to know you're cheering me on.

Monday, February 21, 2011

Wordless

So I turned in Chapter 5.

And then I crashed.

Not that I wasn't trying to get the next part of this thesis done -- I spent every day last week staring at a blinking cursor, typing sentences only to delete them or hit enter to move them down the page because they led nowhere. False starts. Words that felt labored and unclear because the direction of the work itself, at this juncture, is nebulous too.

I fear these moments most. Chapter 5 closed a major section of the project -- an accomplishment to be proud of. But with it, the momentum of the story shut down too. There's much more I need to say, and in turning this work into a book after I finish my MFA, I will. But for now, for the next two or three chapters that I must write to make my page count to graduate, I need to know what piece comes next in this puzzle. And because all the previous chapters have so cleanly packaged themselves together (not something I anticipated, but that's where the writing went), it's like I'm starting a new thesis, in a way.

I'm not good at beginnings. And last week, in the face of this unexpected return to one, I thrashed, going back again and again to the keyboard when I should have just given myself a break. You see, I wanted to speed up the process. These blocks don't crumble without a lot of trial and error, and I figured the more time I put in, the sooner I'd find a way through.

It hasn't happened. And after so many miserable days, I need a new approach. So I'm reading other writers' words, hoping for inspiration, and trying to ignore that feeling of powerlessness as the clock ticks on.

It's still staggering.

Thursday, February 10, 2011

Reconnecting

The conference is over, and I'm spent. Three days of attending panels, meeting editors and agents, and familiarizing myself with -- well, I'm not sure there's a term to describe what the ins and outs of being a writer entails. It's art and business and mentorship and a tenuous work-life balance, at the very least. I got to hear about that in detail from many different people, who have experienced it in vastly different ways.

I'm still wrapping my head around it all. And I hope to do that in part by writing about it here. But first, I need to get down in words a different story that has run alongside the writing I've been doing for many years.

When I was an intern at a magazine in D.C., the summer before I started my last year of college, a fairly prominent photographer, but not one I'd ever heard of, gave a talk during lunch. He was about sixty at the time, married without children. He spoke about his work, which took him around the world, but more importantly, he spoke about how he came to it from a childhood in rural Ohio and described the family he grew up with there. While he didn't say this explicitly, I saw how their stories were entwined with his and, as a result, were knitted into the photos and writing he crafted long after he'd moved away, like fiber wicking ink.

Under his words whispered a stranger language that my ear didn't understand but some other part of me did. I wouldn't have called it a soul at the time, but I will now. It sat up and took notice, recognizing, though we'd never spoken directly, writing-kin. I was only beginning to learn, in crafting narrative essays, what he seemed to be demonstrating in his photos: the act of examining one's life by looking at and documenting, counterintuitively, the lives of others we encounter. And I wanted to say, yes -- yes! This is what my work is for me too, and thank him for revealing this to me, even as more questions about that impulse threatened to overtake the thought before it was fully formed.

He invited the interns in attendance to contact him at any time after his talk if we had questions or were interested in chatting more, so I sent him a note toward the end of the summer. Coffee, I suggested. Dinner, he replied, his treat. And so, at a tiny Japanese restaurant, with a chef who would introduce me to my first taste of sushi, we talked in the way an intern and a mentor might about writing and life -- or were they, in some breaths, the same? -- until the lights were bright on the sidewalk and the heat of the city had gone.

*

We didn't speak again for years. I graduated, began teaching, got engaged, took a different job that leached what soul I did know I had from me, planned a wedding, and neglected my writing throughout it all. Then came grad school and commuting, not a year after D and I were married. I had no reason to go to D.C., and certainly nothing I felt compelled to share with this man who had encouraged me in his own way to pursue what mattered to me. The challenge of the commute overshadowed my work at Little U., and it made me doubt my drive to write. I stared at white space without excitement or joy or even curiosity about what might appear.

But I remembered what the photographer had said in his talk, so many years ago, about his own challenges before a near-empty page. "Never stop in a tidy place," he said. "Leave a sentence unfinished, an idea only halfway developed, a paragraph mid-stride, as it were. That way, when you come back, you will be able to pick up and re-engage."

So as I did begin to put one word in front of another in this last year, I followed his advice. And the work that has emerged is in some ways the result.

Once I knew I'd be going to D.C. for my conference, I wanted to find the photographer to return, at the very least, the kindness of the meal he'd treated me to. I found his name in a posting for a photography class several months old, but fresh enough that the media contact might still know how to reach him. I wrote to her, telling her in brief this story.

Two days later, the photographer wrote me back. "I remember you well and have often wondered where you were and what [you] have been doing," he said. He'd moved away from D.C. but still visited the city from time to time to meet with his editor. "So please tell me when you will be there. Perhaps your visit will coincide with one of my trips. I hope so."

On Monday, we met for lunch. I was early and tried in vain not to be nervous; he was late and put me completely at ease. From the moment we saw each other, it was as if we were simply picking up the conversation we'd suspended. And so we talked about writing and life, just as before, but this time as friends.

I remembered then what it was to love what I do but even more so how much a connection to other writers is essential to me in sustaining such a solitary art. So I am glad for this dialogue we've restarted, one that promises to continue for a long time. As it turns out, the photographer visits Seattle once a year, so we have an informal standing get-together for the foreseeable future.

As for that strange language I first heard during his talk, I was surrounded by it all week, even in the moments when I was overwhelmed by all there was to take in. So I think it's safe to say I was doing what I needed to for a long-forgotten part of me, and I won't question that further. Or at least, not as much -- as long as this language is mine to hear.

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Showing posts with label Thesis. Show all posts
Showing posts with label Thesis. Show all posts

Friday, January 16, 2015

Processing and processing

Some time back in early November, I reached the one-year mark for a writing goal I didn't realize I'd set for myself.

When I finished my thesis for Little U. on the Prairie in 2011, I wasn't sure how I felt about writing. I'd spent four years wrestling with words in an environment that was meant to give me the time and space to do just that. And yet, after being put through all the academic paces that went with that luxury, I felt like I'd trained for a foot race only to learn that the event I'd signed up for was for swimmers.

Writing in real life is not a process bookended by predictable deadlines at various points in the semester. Nor is it something you're lucky enough to do with a preselected set of peer reviewers. Not that the work that comes out of all that is at all good, either -- in fact, some of my worst writing happened at Little U. Forced into artificial final form for the end of each term, my work was undergoing revision -- prematurely, it seemed -- before I had even had time to get distance from it, much less consider all the feedback from my professors and their workshops. I hated my thesis. The first five chapters felt like mine, but the rest didn't come from my writing brain; they were a strange, out-of-body text generated to make page count.

Somehow, in creating those final two chapters, I lost my voice and my way. When I got back to Seattle after my defense, I couldn't understand why something I had once loved doing and felt confident doing, despite its difficulties, was suddenly like trying to do calculus without knowing any basic math.

So I stopped writing for two years. Partly because life happened -- I'd been sick for more than half the time I was a graduate student with no explanation in sight and I wanted some answers. We got them. And then we had O. Any hope I'd had of getting back to the page evaporated with my claim on a proper night's sleep for the first nine months of his existence. In the haze of new parenthood, the idea of a writing life was so implausible that spontaneously sprouting a third arm was looking more likely (and at the very least, more useful in baby-wrangling).

But in that mid-fall of O.'s first year, I sat down in front of this screen and put words there, one by one. Not the random notes on life with O. that I'd been posting infrequently, but words from my writing brain. It felt strange. It wasn't the voice I'd had in the past nor the stand-in text generator from my final months of work for Little U. I didn't question it. I just wrote.

And I kept doing that. In fits and starts, yes, but always with the knowledge that I would come back to whatever I left behind, as long as it was giving back to me some measure of mental energy that being a mother wasn't. And suddenly, it was November again, and the work was no longer an exercise but a comfortably demanding habit or practice, which is what I'd wanted it to become all along. I think in returning to the screen, the words, the ways of thinking I had abandoned, I was hoping to make them the part of my life I had failed to establish in a meaningful manner in my previous attempts.

I am still at my keyboard even though there's been little to read for a while here. Words are finding their way to the page, so much so that what I'm working on is no longer a reasonable fit for this space on sheer length and scope alone. So if I'm silent, it's not for lack of news or thought. I'm just working.

This is more than I ever expected would come of going back to something that felt more and more exacting with less and less benefit to anyone when I left Little U. If it hadn't been for O., I might not have pursued it at all. But having him has given me a different lens through which to consider the subjects I write about -- the nature of family and its ever-evolving dynamics -- and with that change, the old sensation of being lost has gradually faded.

I still have no map for the path forward with my work. But for now, I'm no longer trying to see a way out of it.

Monday, August 5, 2013

Sanity, regained


O. is nursing.

At five months, he finally -- finally! -- figured it out and is now able to get what he needs from me without causing either of us trauma. We started giving him the opportunity to nurse without a supplemental feeder just over seven weeks ago, and, within a few days, he was completely off his training wheels. We are ecstatic.

There have been a few bumps along the way since that first day entirely free of the pump -- some frustration on O.'s part, heat waves that have thrown his appetite off, plugged ducts from having to adjust to less frequent feeding demands -- but that's been nothing compared to the brutal routine of juggling so much nursing equipment in the preceding months (see photo). For the first time since O. was born, I've been able to sleep more than two and a half hours at a stretch. This may go without saying, but I have to write the words because I've wanted to for so long: I am a different person -- a sane one -- once more.

Sleep has meant the return of coherent thought. Instead of falling asleep while pumping -- not something I recommend, by the way, as the pump doesn't quit when it's full -- I've had the gift of quiet moments to reflect on what the last five (almost six!) months have been. O. is easily distracted these days, so there's no catching up on Netflix while he's eating. He'll even turn a nursing cover into a toy, so we keep to his room, lights down, for most feedings. He grabs at my hair, my shirt, my hands. And I sit, thinking in twenty-minute stints about the road we've traveled.

For the first two months of O.'s life, I felt robbed. Not of the breastfeeding relationship some books tout as sacred -- believe me, we didn't have any holy notions about my providing nourishment; in fact, we deliberately steered clear of any conversations with well-meaning people who were self-proclaimed boob enthusiasts because we didn't want to get into debates about lactation philosophies and politics. We just hoped breastfeeding would work and we could check it off the list of things to learn to do, like burping and diapering and giving the occasional bath.

But as a few days' nursing strike turned into weeks, I felt my ability to handle the expected abnormal of having a new baby leaching from me. I had no emotional energy left to love O. with. What I would have traded just to have fragmented sleep and unstructured days only from an infant's erratic waking, not his middle-of-the-night cries and the demands of the pump. It wasn't supposed to be this way, I kept repeating to myself, even though I knew it wasn't helpful. I'd look at O. in his rocking seat and dread the next time he'd rouse himself and then feel guilty that I couldn't enjoy him when he was awake. Every interaction we had was too fraught with the frustrations of getting him to eat, figuring out why he wouldn't eat, allotting precious time I could be using to bond with him to contact doctors who could help us help him eat. Eat already! I wanted to scream. "If it weren't for that damned risk of food allergies," I repeated to D. over and over, teary and spent, "we could just stop the insanity and give him formula. I don't care about the rest of the stupid benefits of breast milk. This is crazy."

But the risk was very real because of my family history. And putting ourselves through a few months of pumping to avoid a potential lifetime for O. of eating the way I have since we discovered what was making me sick was worth the heartache. Or so I told myself at my lowest points, when I wanted to quit and said so to O. in no uncertain terms. Fortunately, he understood none of it. He'd grin at me while I mumbled obscenities through gritted teeth, a smile plastered across my own face to disguise the misery I was feeling. I was scraping bottom then but still determined not to let him see or hear it after slipping just once on the phone with D. D. was held up at work, I was on my fourth pump-and-feed of the day (flanges attached, bottle and baby also in my lap), and I was fighting what I didn't realize was a nasty breast infection. "I just need you to come home," I all but wailed at the phone, balanced on speaker mode on a nearby table. At the sound of my agitated voice, O. burst into tears -- not a cry of hunger or tiredness, but alarm. I picked him up immediately, apologizing into the impossibly soft crook of his neck as he rested his head against my cheek and sighed a shuddery half-sigh.

If only everything could be fixed so easily, I thought.

As these recent weeks have brought a new rhythm to our days and nights, I've been drawn to the idea of putting O.'s story into a more formal body of work. Partly to process it all with the tempering effect of distance, partly to reclaim and recast some of those early memories in a way that I couldn't when we were in the midst of the chaos. Hindsight is a gift -- especially with a positive ending.

I don't know what this project will become. Maybe some of it will appear here; maybe it won't. I've learned more than I ever wanted to about making decisions for the life of someone entirely dependent on my good judgment when I was the least objective mind in the room. I know, I know -- this is just the beginning, you say. But had I had the words of experience to hang on to from someone who had once been in our position, I think I would have felt just a little less hopeless at the worst moments. That is a reason, if any, to write all this into something coherent.

Long-form work and I have had a tenuous relationship in the past (think: the MFA thesis that almost wasn't). But the story I was writing then had no resolution. O.'s does. I'll take it as an auspicious sign that I've actually acquired nearly two dozen books from the library just to read what's already out there for mothers who face what we have. There are a surprising number of resources from those shelves that provide information on what we had to learn the hard way or gather in fragmented fashion from so-called lactation consultants. Interestingly, all of the books I requested were readily available -- no waiting lists for holds -- unlike the majority of the popular pregnancy and childbirth books in circulation. I may be jumping to conclusions based on our experience, but I suspect they're hanging out in the stacks because no one knows they exist -- or knows to go looking before they're needed. I certainly didn't.

I hefted my finds into two big canvas bags at our library on one of the hottest days of the summer, wearing O. in his carrier as I bent to remove each title from the holds shelf. He squirmed against me, eager to be free of his constraints or just hungry; I wasn't sure. But he was motivated and so was I. So I'm putting whatever this is -- brainstorm, project, as-yet-formless cloud of inspiration -- out there to give it weight. Matter, in its many senses, because it does matter. And I'm actually a wee bit convinced, dare I say it, that I can carry it for a while.

P.S.: For those of you who have asked how that trip to Florida went, it did indeed get postponed -- and relocated. Stay tuned for our first plane trip coming up in September, as we fete Troubadour Dad's 60th in the Texas panhandle ...

Tuesday, October 16, 2012

A night at the Lo-Fi

On Saturday, it rains for the first time in 80 days, bringing an end to the Indian summer Seattle has held on to for weeks. In spite of the chill, though, I've put on a light cotton dress and the peep-toe slingbacks I've been wearing to swing dancing lessons with D. Tonight's adventure: Soul Night at the Lo-Fi, a self-advertised "performance gallery" whose reputation everywhere else on the web suggests a live-music dive club.

Zoe, a woman nearly my age whom I do volunteer editing and photography for each Friday at the Humane Society, has invited us to come out with her for this event. I have no idea what we're in for, but I figure it's a good opportunity to practice our new dance skills and get to know Zoe outside of work.

We arrive at a building whose front entrance is more board and graffiti than door, at least from what I can make out through a light drizzle and the smoke from the next-door bar patrons leaning against damp brick. Zoe is nowhere in sight, but a girl sporting a cherry-red dye job fading to pink catches the lost look on my face. "Lo-Fi's in there," she says with a grin, jerking her head toward the gaping entryway to her left. I text Zoe, hoping she's already inside.

"Getting liquid courage down the street if you want to join, be there in 10!" is the reply. Alcohol's out for me, so rather than waste time, D and I head straight in. It's only 10 p.m., but these days, I'm usually in bed before 12. Better to take advantage of our chance to dance while I've still got energy.

We know none of the music that the deejay is playing from real vinyl in the dim front room -- barely 25' by 25', 12' by 12' if you count only the space walled off for dancing. But the beat is familiar and I signal to D that it's good for triple swing, even if it's not swing music. Though it takes a moment for us to find our footing, we're soon rocking and twirling around the floor, the smell of baby powder rising from under our heels. "Zoe told me they sprinkle it on the boards!" I shout above the thumping bass.

The room's not nearly full yet, so we get in several good spins under the magenta lights as the details of the rest of the space slowly come to my attention. A dive it is: no seating except a single banquette at one end of the floor and a bar wedged into a corner near the entrance. It's loud and dark and hard not to trip on the ruts in the floor, but I'm happy on D's arm -- as long as we're dancing, I don't worry that I look totally out of place here, even if I feel that way. Even before we became parents-to-be, I was never a late-night club-goer.

Zoe, of course, doesn't know I'm a hopeless homebody, but I wonder if she'll figure that out this evening. I almost didn't want to come, but hers is the first invitation I've received from someone I've met on my own -- not through D -- to do something social since my move to Seattle three years ago. How did it take you so long to start making friends? I think, though I know the many answers. Thesis. Health problems. Working from home. And now, with this baby on the way, I'm facing yet another easy reason not to get out there. Is this what I'm going to give up for good in a few months, I wonder, the chance to hang out with people who still do things like this?

Suddenly Zoe's grabbing my arm, pulling me into a hug. I'm surprised and pleased -- we've never even shaken hands before, but obviously, the vibe at the animal shelter is far removed from the one here tonight. Zoe's also slightly tipsy, but only enough to get her loosened up. She takes me by the hand and all but hauls me toward a long, narrow hall at the back of the room that D and I have initially missed.

"Photo booth," Zoe says, pointing out the curtained machine at the end of the corridor, and then we're in a second room, larger than the first, but not by much. Two more deejays spin records on a raised platform while the crowd, three times as dense, bounces in close, sweaty approval. Zoe's husband of three months and two other women from the shelter emerge from the chaos -- Shona, who also works with Zoe, and Lane, who runs the volunteer program that got me involved at the Humane Society to begin with. We shout introductions all around as a couple wearing rubber horse-head masks squeezes by. They are the only people in costume, but no one finds it odd. Apparently, anything goes here.

Zoe gets down to the business of dancing right away, skinny arms flying in bold-print spandex sleeves. After a while, we take turns partnering up -- Zoe prefers to lead, so I gamely grab her shoulder -- and wiggle around as much as we can among the rest of the knees and elbows. D and I attempt a few moves and end up doing them in half-time for the safety of others, which cracks us both up. In the crush of bodies, we can do no more than step in place -- so much for practicing.

After an hour, I can feel myself beginning to wilt from the heat, but I don't want to leave yet. The group's completely at the mercy of the music and hasn't yet taken a break where we can -- what, chat? Where in this hole-in-the-wall could we do that? I'm starting to rethink my expectations of getting to know anyone on this night when I realize Zoe's waving me toward the photo booth. "Everybody in!" she insists, and suddenly I'm backed against her husband while chest to chest with Shona. I have no idea who is sitting behind us on the narrow bench and Zoe, wedged at the very front of this sardine can, is hollering for singles to feed the machine, which D hands through the curtain. He tries to poke his head in too but can't even get his nose past the burlap. At the first flash, we pose, if attempting to get somebody's -- anybody's -- face in frame can be called posing.

It's funny, but I'm not sure it's fun, the homebody in my head says. Shut up and just go with it, I tell her. We tumble out into the hall and wander back to the dance floor. Lane, purse over one shoulder, grabs my hand and I lead her for half a song before we break into a new configuration under the push and pull of the rest of the bodies around us.

Within twenty minutes, I know I'm fading for good -- I'm bouncing without actually picking up my feet and D can tell. He takes my hand and nods toward the exit. "Let me say goodbye to Zoe," I say. I try not to feel a little defeated. By what, I'm not totally sure: my body, my introverted tendencies, both? Whatever's keeping me from the joy of the moment.

Zoe sees me inching toward her and points at the door. "I'm too hot!" she says. "Let's go get some air!"

Perfect timing, I think. Now I can at least thank her at normal volume for inviting us to come. Shona and Lane follow us outside, where the cold drizzle is suddenly welcome and pleasant.

Zoe shows us the strip of photos she's rescued from the booth. Shona laughs as she peers at one of the shots. "Is that my drink?" she asks, pointing at a tumbler that takes up a good portion of the frame.

"Is that my nose?" Zoe asks in return, indicating a smudged shape right next to it. Then she points at my face, just visible toward the top. "You should keep these," she says, grinning. "Of all of us, you actually look cute in this one!"

I peek at the image and snort -- I'm bug-eyed, mouth open, mugging into the camera with hair sticking out in five directions. But it is spontaneous. I take the photo strip.

Shona checks her phone for the time. "I gotta go get the kids from the in-laws' soon," she says. "My husband's working the night shift on a barge."

"Seriously?" I say. "Crazy hours." We start talking about working night jobs, including my stint as a copy editor in Texas, which leads us to how D and I finally ended up together there after commuting to see each other during college and my first job teaching in New York. Zoe, a native of Queens, asks where I'd lived in Manhattan and we bemoan the rent increases from year to year. And suddenly, we are chatting, the stories running like water from the Lo-Fi rain pipe.

We gab our way through a quick half-hour, gradually getting chillier, but I don't mind shivering -- this is what I'd wanted all along. But couldn't you have gotten here without all that came before? the homebody in my head asks. I let the question go. Then D taps me on the shoulder. It's late for both of us.

"Glad you made it," Zoe says, and I can tell she's not just being polite.

"Me too," I say, thinking of the photos and grinning for once at captured chaos. "See you again soon."

*

I'm linking up with Just Write this week. For more stories and essays, click the button below!

Wednesday, December 14, 2011

Not biting

Back in July, after my thesis received final approval from Little U., one of the last tasks I had to complete to tie up loose ends on the manuscript was to get it copyrighted. For Ph.D. dissertations, Little U. makes copyright mandatory and takes care of this detail to ensure the filing with the U.S. Copyright Office actually happens. For MFA degree holders, you retain the right to pursue official government protection -- or decide your thesis is so objectionable to your artistic eye that you'd rather not afford it such an honor.

I have to say, by the time I was done with my manuscript, I felt only 40 percent of it was really decent enough to consider reworking for future use -- as smaller essays to send to literary journals or as a jumping-off point to reshape the work into a very different book. As it stood, 75 pages wasn't enough to sell as a complete work, especially since it had no ending. (Yes, it stops, but it has no sense of conclusion.)

Because that 40 percent had merit, though, I did go through with registering for a copyright. And within a few months, I started to get postcards from a certain company claiming interest in publication.

Don't get excited yet. This is not a company that likely pays its authors for their work. It is a subsidy press, also known as a vanity press, which will ask its "candidates for publication" to cover some or all of the printing, distributing, and advertising costs. Obviously, I haven't done further research on the particular organization that mailed me, but it is generally safe to say that any group that calls itself a subsidy press does not follow the standard publishing model -- possibly to the author's financial, if not reputational, detriment. So if you've ever been contacted by one of these companies, be forewarned (and then laugh, as I did, because you've seen through their attempt to flatter for money).

How did they even find me, you wonder? Well, per the postcard, a "researcher" "discovered" my registration -- not my manuscript, my registration -- with the Library of Congress; i.e., someone who regularly trolls the record of copyright applications, which is in the public domain, picked out my name along with hundreds of others and put me on a mailing list. How do I know no one has actually looked at what I've written to determine its literary merit? Well, when the postcard is addressed to a "Mr. Contemporary Troubadour," it's pretty clear. Really, if the work is written in the first person and begins at the patient check-in desk of an obstetrician's office, you'd guess the writer was a woman, right?

Sunday, September 18, 2011

Nine weeks

That's how long I've been on this crazy elimination diet.

Yes, I chose not to write about the testing while it was ongoing -- it was life-consuming enough that I needed this space to think about other things, like what I've been examining through my most recent series of musings. I plan to continue adding to that, but more intermittently now that it's established (for me, as a commitment through habit of thought).

In the meantime, I'm beginning to get the much-wanted answers I'd been looking for. Preliminarily, we've determined that dairy products from cows do not love me, as much as I love them. Goat dairy is kinder, but ambiguously so. Eggs lie somewhere in between on that spectrum. Corn and soy are friendly.

Today I will complete one of three different gluten trials, and then we will suspend testing until our return from Hawaii. Our original plan was to be done with all the trials before the trip -- this Thursday! -- but because the dairy tests worked me over so thoroughly, I needed a lot of extra recovery time between each of them, which pushed our testing timeline much further into the fall than I'd anticipated.

I'm a mess of mixed feelings about it all. Relieved to have results at last, some of them quite definitive. Frustrated but resigned to the fact that more testing has to continue when we get back. Disappointed that the dietary limitations we've discovered so far will mean some significant changes to our original vacation plan.

I'd wanted a true getaway, where we'd have largely unstructured time to lie on the beach with a stack of books, bob around in the ocean, catch some tropical sunsets, feed ourselves on inexpensive local cuisine. We can still do plenty of all this -- but we'll have to be vigilant about what I eat that I haven't personally prepared (don't get me started on the pervasiveness of dairy in commercial foods, but do check out this site if you need guidelines for your own dairy sensitivities). And we'll need to cook some food as backup for moments when we're unable to find something that works at those mom-and-pop restaurants (or roadside stands) whose plate lunches or noodle bowls we were so looking forward to sampling. I guess it's the dream of being totally carefree -- not having to think so hard about what needs to be done ahead of time or what contingencies we ought to anticipate -- that is looking more and more unrealistic, and it makes me sad.

Still, I'm determined to be over this by the time we leave. This trip is meant to celebrate our surviving much, much worse. Like, say, all of 2010; the residual aftermath of an extended thesis year; the accumulated tension from the two-year commute that changed us both indelibly.

So I'm making a plan now, to minimize the mental effort we'll have to put in when we arrive. Grocery stores? Located. Cooking facilities? Secured, through our bed-and-breakfast hosts. Restaurant menus? Downloaded and vetted. Restaurant staff? Where practical, already contacted to ask if they can accommodate my dietary needs.

I hope, hope, hope that it all pays off. We may not get to throw caution to the wind, but at least these preparations will let us use the majority of our time to relax, rather than spend it on pesky logistics ...

Saturday, September 10, 2011

Scenes from a graduation, part 6: these ceremonial rites

When we get to the concert hall several hours later, no one is wearing academic regalia -- at least, not yet. The graduates will not arrive for a little while from morning exercises. But there are families milling about, some members clutching black robes striped in kelly green, the colors for those who already hold degrees in medicine. These are for the hooders, most of them parents of the graduates but some of them spouses or siblings.

The gown my mother hands my father is cardinal red.

"He insisted that it had to be this color," she says, rolling her eyes, "because he's a fellow." Red denotes not just my father's doctoral degree but his board certification in a sub-specialty, cardiology. My mother sighs. "Look at him; now he doesn't want to put it on because he knows he'll stand out."

And she's right. As the rest of the hooders begin to unfold their garments, my father hesitates, glancing self-consciously around. Perhaps he's second-guessing his insistence on the "proper" colors for his rank. There are, without question, numerous other fellows in this crowd, but they've all opted to keep the information to themselves. Each doctor will be on stage for mere minutes, half obscured by the graduates they will hood. Why the need to make such a particular visual statement? Pride, yes. But in the case of my father, it feels misdirected. While I can't know for certain what his motivations were when he ordered his robes, I suspect self-importance guided the choice more than the desire to wear his best, so to speak, out of respect for my sister.

I pity him a little, as his insecurity flickers into view. He couldn't help himself, I want to say to my mother, not sure if it's meant to excuse his hubris or condemn it. Neither seems appropriate, so once again, I pull out my camera. Even if I can't sort out the color of my thoughts, I can save the image of the moment to muse on later.

*

Rewind six months. I am elbow deep in boxes of photos and memorabilia at my parents' house, not sure what I'm there to find, but the clock on my thesis is ticking. The idea of graduation -- mine or anyone else's -- is far from my thoughts.

My mother and I have been talking since late summer about the whirlwind weeks of my parents' courtship. Four, to be precise. They'd started dating in the final month of my father's senior year of college at a Canadian university, after which he started medical school in the U.S., on a campus nine hundred miles away. My mother still had a semester to finish and hadn't planned on moving to another country.

But my parents wanted to remain a couple, she said -- the story of which I'm intrigued by, tempted to write. They'd already started talking about marriage by the end of those four weeks. So they courted by airmail for the entire four years that my father was studying to become a doctor.

In his home office, surrounded by stacks of unread medical journals and copies of call schedules, I finger the edges of a photo taken on the day of my father's medical school graduation. His school, unlike my sister's, does not have a special robe color for degree candidates, so he stands on the lawn that flanks the university chapel, in black and green like the faculty. He is alone in the picture, hands clasped in front, mortarboard as square to the top of his head as his gaze is to the camera.

"Who took the photo?" I ask.

"A classmate," my mother says. It was too expensive for her to fly down for the festivities, she explains a little sadly. "No one from his family went either -- too far to travel from Hong Kong." This latter excuse, we both know, is only half true; my father's parents rarely made much of personal achievements. These were to be expected rather than praised or celebrated, as he'd learned early on in his childhood.

We are quiet for a moment. The story that follows is familiar now to both of us: how my father left for Canada immediately after the degree ceremony, driving all night to get back for their wedding, which was to take place within days. It's misleading, then, this portrait's pomp and circumstance, its staid, unhurried pose. That someone managed to capture it -- my father was likely on his way to his already packed car when his friend offered to take the shot -- was fortuitous and may have been the only moment, however brief, in which someone else shared in his achievement the way a family might have.

It is this image that I suddenly remember in the concert hall foyer, as my father finally lets the folds of cardinal red fall open, and I wonder if he is thinking of that day some thirty years ago, footnoted so fleetingly on film. As he fumbles with the sleeves, the zipper, the hook, his face remains unreadable, his eyes focused solely on the task at hand. Because he has been raised to be this way -- practical, unsentimental -- he will not let on, even if this garment reminds him of the chapel and the lawn and the few seconds' pause before the click of the camera's shutter.

Perhaps my mother remembers the photo too as we reach automatically to help him smooth and straighten. The hood, lined in his alma mater's colors, flops and dangles like a superfluous appendage -- "Hold on! Don't walk off yet!" we tell him as we try to get it to hang at least somewhat centered down his back. When we are finished, my father examines our work and chuckles for the first time that morning, at himself. In spite of the curious looks he's beginning to draw -- "They think he's the university president," my other sister whispers -- he looks pleased.

*

My father and Almost Dr. Sis see each other for the first time that day from across the concert hall. Or maybe only he sees her. In the images we collect from that hour, my father stands against the right-hand wall leading to the stage while my sister stands on the opposite side. The room is too large to capture them both in the same frame. In my father's picture, though, he is clearly looking toward his daughter, whose own eyes are aimed at the line of deans whose hands she will soon shake.

I do not remember thinking much in this moment, though so much thought has gone before it -- my questions about what I would feel, watching my sister and father partake in this long-running ritual, the symbolic induction into an exclusive circle, both professional and familial. All I know is that I have a job, to record the moment as it unfolds. (The video capabilities of my phone are limited, but it is the best we have.) Though I won't realize it until afterward, I'm relieved to have this duty, to be able to focus on the task so that any other thoughts -- and the emotions they might carry -- do not become overwhelming.

We know they will announce my sister's name, followed by the name of her hooder, but hers has barely been broadcast when we, too excited by the first-time use of the word doctor as her official title, cannot keep ourselves from hooting like fans at a sporting event. My father's name is completely lost in the roar.

A wisp of guilt blooms within my chest -- I would have liked to capture my father's honors here too. I know then that in spite of his ego, I still care that he has missed so much in his life: not just the presence of family -- his and ours -- but the affection that comes with it, something he has been so used to living without. You are important too, I want to tell him, for each moment he ever privately doubted this -- and felt the need to compensate for it.

It takes my sister some time to cross the stage, so we are calm when she finally reaches my father, who stands with hands folded just as he did on the day of his own graduation, serious and proper. She passes her green velvet hood to him, turning to face the audience as the deans have instructed each graduate ahead of time, then bends at the knees slightly, as if curtsying, so my father can place the hood over her head from behind. Even so, he knocks her cap slightly askew. She grins as she straightens it, and -- is it possible? -- seems to look directly at us as we wave. I wonder if my father can see us too.

There is no time to find out; they must exit the stage to make room for other graduates. Quickly, my sister turns to hug my father, her enormous diploma in its cover between them. And then, to my surprise, instead of offering his usual one-handed pat on the back, my father raises both arms, almost as if opening a pair of wings. He folds them around her, pulling her close, draping her in the scarlet of his own mantle, oblivious to the leather folder poking them both in the ribs.

The moment lasts only a few seconds. But his smile, when he finally lets my sister go, is just as broad as hers.

For more from this series, please click here.

Friday, June 24, 2011

Scenes from a graduation, part 3: projection

In the auditorium of a local hotel, finally done traveling for the day, I slip into a cushy ergonomic chair that rotates. This isn't theater seating; it's conference hall seating. An enormous projection screen dominates the front wall, and the School of Medicine's glossy logo has been carefully applied to the wooden podium beneath it (removable decals, I'm guessing). Individual ethernet jacks and power outlets, built into the console table stretching across each row, make me feel like I ought to fire up my laptop to take notes. But we -- Troubadour Mom and Dad, my youngest sister and I -- pull out cameras instead.

Of course, we're not here for a lecture. This gathering of parents, siblings, children, other relatives, and friends is like Class Day from our undergraduate commencement festivities, a smaller celebration before the next day's all-graduate ceremonies with the lawyers, the engineers, the MBAs, and so forth. Tonight, a class-chosen faculty speaker will bestow light words of wisdom, a classmate will offer humorous reflections on these last few years of training, there will be a few awards, and then we'll all disperse for heavy hors d'oeuvres. My sisters and I share the same alma mater; I wonder if they also feel a certain déjà vu as we wait for the proceedings to begin. But maybe the conference room setting is too different to them. Class Day, so many years ago, was an outdoor folding-chair affair that, in Almost Dr. Sis's case, took place in a downpour.

I have to laugh a little at myself, always seeking the structure of things, the bones of each new experience. Is it just my way of handling the unfamiliar? Perhaps -- the parallels underneath, analogous armatures, ground me. But it is also a way of remembering, better to secure the details. For our family, there will be no other sister who passes through this medical program or any other. One chance, then, to enjoy these moments for what they are.

The soon-to-be graduates process in, the men in suits, most of the women in dresses. Academic regalia is reserved for the next day. I have not yet seen Almost Dr. Sis since arriving -- does she see us? No time for her to look up, but we follow her with both eyes and camera lenses.

I don't snap any shots, though. The pictures I might get would be blurry, I realize -- the camera on my phone isn't the best for subjects in motion -- and I'm happier without the filter of a viewfinder limiting what I can see. I lean forward, watching my sister in a soft white frock, glossy like meringue, cross into her assigned row.

It turns out that she is in charge of presenting the class gift this evening. As she steps toward the podium, the screen behind her suddenly lights up -- the audiovisual crew working this event has zoomed in, and my sister's head, now ten feet tall, smiles back at us in startling digital glory.

And I can't focus on her, the small woman in the flesh at the microphone. Her slight movements -- a nod, a turn, a tilt of the chin -- become giant ones on the screen. I'm reminded for a moment of Dorothy's audience with the Wizard of Oz. Of course, my sister and her video image are identical, unlike the thundering puppet head and its master, but the projection is still a bit disturbing. So dramatically magnified, it draws the eye away from the real person below.

But isn't that the point of it? I think. To help us see better, to allow us an enhanced point of view?

Maybe. I feel like I'm losing something, though, if I ignore the woman standing right in front of me in favor of the bobbing on-screen head. I can't watch both. I try to anyway.

*

The hors d'oeuvres at the reception are, indeed, heavy. Fortunately, to save me from eating too much, there are scores of my sister's friends to be introduced to. Some I recognize from my last visit a little over a year ago. Others are mentors I've heard of only by name.

There is one woman whose face gives me a double-take. The wire-frame glasses, the slightly upturned nose, the sandy curls, front teeth that peek out below a thin upper lip with a bit of mustache, and that raspy voice with a New York accent -- she is the doppelganger of a professor who has sat on my thesis committee for two years. The woman at Little U. is the sort of person who invited my research methods class, which she also taught, over to her house for potluck on the last night of the semester, just before I moved back to Seattle.

The woman at this reception supervises a group of medical students who travel each summer to run a clinic in South America. I realize my sister introduced me to her on my last visit, at a coffee-shop planning pow-wow for one of those trips. The woman doesn't remember me -- and I don't expect her to -- but the memory of her warm hug from that first meeting comes back as I greet her now. She is effusive, pouring forth compliments about my sister, this class, how special they are to her. It's impossible for me not to remember my own professor's words from potluck night, the same sort of praise overflowing from her in uncannily similar tones.

I'm not looking for these parallels in this moment; they've somehow found me. But for once they aren't grounding. In fact, I realize, I wish not to see what I see this time because it's made me aware of the other comparisons I can't help making -- between the path I chose, to write, and the path I rejected, to become a doctor myself. At one point, that was what I truly believed I wanted to do.

The need to be present for this rite of passage, then, the importance of getting here. You wanted to see what could have been, a voice whispers in my ear, and I recoil.

Don't, I hiss back silently, guiltily. This isn't about you. I glance around the circle my family has made around my sister and the woman who continues to effervesce. Good -- they haven't noticed the extra head I've suddenly grown, or the conversation I'm having with it.

For more from this series, please click here.

Sunday, June 5, 2011

Scenes from a graduation, part 1: getting there

This is the first in a series of posts chronicling my whirlwind second half of May -- there was too much to put in a single post, and the trip generated much for me to think about, so here's the compromise: a story in parts. For the entire series, please click here.

My suitcase gapes at me from the bedroom floor and I wonder if the zipper will close. Nine days of clothing for three different cities with three different climates and three different kinds of celebration -- this is what I have to pack within the confines of a single carry-on.

My first stop on this trip is Almost Dr. Sis's graduation from medical school, which promises to be cold and rainy. Very rainy. Here in Seattle, we're used to mist and drizzle, but in the Midwestern town where she's lived for half a decade now, there are thunderheads gathering and a long sweep of heavy gray downpour following behind.

On this Friday afternoon, I've just tucked a pair of wool slacks into place -- it promises to reach the mid-40s in the evening, though we're in the latter half of spring -- when the phone rings. It's my mother. "Our connecting flight was canceled and we're driving from Chicago," she says, with irritation. "Can you look up directions for us?"

I can hear my father at the wheel in the background naming interstates. "Do I want 290? 294? Ask her which one, which way -- " His agitation rises with what I'm guessing is each passing road sign. They are on the arteries that skirt O'Hare, circling blindly.

My mother tries to address my father's question before I've even had a chance to grab my laptop from the bed. He doesn't trust her answer; they bicker. I fumble at the keyboard, calling up maps, the hair on the back of my neck beginning to stand on end. The memory of previous car trips from childhood: my mother misreading directions, their ensuing fights, my sister and me shrinking small and silent in the back seat with our younger sister, still a baby, between us. My hands work faster now as their voices escalate.

"Here," I say. They're too busy arguing to notice. "Mom. Mom." No answer. In my own home, two thousand miles away, their presence is suddenly too loud, too close. "WILL YOU BOTH SHUT UP ALREADY?"

Silence.

I wince, expecting even now, as an adult, a sharp reprimand from my father for my tone of voice, but maybe only my mother has heard me clearly -- she is the one holding the phone. I plunge ahead before either of them can say anything, offering exit numbers and mileage estimates in lieu of an apology. "It's about seven hours," I note.

"We'll make it in less time," my mother assures me. "You know how Dad drives. By the way, he wants to know which flight you're on tomorrow."

I suppress a sigh, knowing my father is worried that I'll end up in the same predicament -- except with the graduation ceremonies scheduled for Sunday morning, I'll have much less of a window to get from Chicago to my final destination. It matters. My father, a doctor himself, will be the one to place the doctoral hood on my sister, a moment that, to me, feels somehow essential to witness in person, though there will be professional photographers and videographers to capture it all. And I wonder, suddenly face to face with that truth, why it should be so. Of course I am proud of her. But it is more than just being present to let my sister know, more than sitting in the same room with her for this long-anticipated, hard-won induction into the professional circle my father has been a part of for many decades. What is it? I ask myself. And -- with even more curiosity, as I suspect it is for different reasons -- what is it that makes my presence so important to him?

There isn't time in this afternoon to muse, only to finish packing. "Can she take the red-eye tonight?" I hear my father ask.

"No, but I'll look into bus options for tomorrow afternoon, just in case," I promise.

*

On the jet bridge the next morning, I check my seat assignment: 10A, on a window. When I can, I pick seats with a view; it helps with the tendency toward motion sickness both my sister and I have inherited from my father.

As I step into my row, however, I'm greeted by a solid wall. No porthole, not even half of one like some seats get when they happen to fall between windows. Just a beige expanse of siding. I peer at 10F on the opposite side of the aisle; the oval pane there throws light back at me, ordinary as can be.

I feel, not surprisingly, closed in against this blank barricade. I check the status of my next flight on my phone; still on time. But this flight, the captain suddenly tells us over the intercom, will be delayed. Chicago's still having weather.

D has my flight information and instructions to be near his phone around the time I'm supposed to land at O'Hare, in case he has to make a quick bus ticket purchase for me online. Will I be able to make my connection? Will there be a connection to make? I turn my frown to the wall to my left. I can't see what's on the other side, can't see what's to come.

*

It is the first flight I'm taking from Seattle after finishing my thesis, and for a moment, when we finally leave the runway, I'm a little giddy. When the flight attendant announces that we may now use approved electronic devices, I will not need to wrestle my laptop from my backpack and attempt to write. The goal I've been working toward for four years is all but done; only Little U.'s approval of the document -- formatting compliance, verification of my committee's signatures endorsing the final submission -- is pending. Perhaps by Monday, I tell myself, the day my sisters and I will fly to Texas to spend the middle of the week at our parents' home.

But as I speed toward the thunderheads in Chicago, without a view and without the deadlines I've been so used to, I'm forced to sit with my new lack of purpose. It's only transient, I know. Still, I envy, just a little, my sister's waiting future. A residency at a prestigious hospital in Boston is the next step for her. What the experience will hold is certainly unknown, but it's better defined than the summer I have before me. The plans for whatever I choose to do next with my life still wait to be constructed.

The plane banks as the captain adjusts our trajectory. I turn automatically to the window I don't have and feel my stomach protest. A quick glance to the right, to the view I can steal from 10F. It's limited, but it's better than nothing.

Thursday, May 26, 2011

In the last two weeks, I ...

... visited three cities in three separate time zones via seven airports.

... slept, because of travel, an average of five hours per night. Yes, an average.

... received final clearance on my thesis from Little U. on the Prairie.

Which of the above is the most likely reason I've been catching up on R&R in the last 24 hours (and, as a result, neglecting* this blog)?

* A return to more regularly scheduled programming is promised as soon as the circles under my eyes are a little less prominent. I'm off to take another nap.

Wednesday, May 11, 2011

It's not starting over

It's just a new point of embarkation.

That's where I feel I am, now that Monday is past. That's when I mailed my final deposit of my manuscript to Little U., where, hopefully, it will arrive and undergo review for archiving by the end of the week. Once it receives clearance, I will be DONE. My degree should arrive in the mail in late summer.

We -- D and I -- are thankful to have this nearly behind us. It's been an incredible strain on both of us for four years, first because of the return to a commuter relationship it required and secondly because the thesis portion dragged out and drew resources from me in ways that made our marriage suffer. I can't begin to encapsulate how exactly that worked (or, rather, didn't), but the effect was a stagnation in our growth as a couple. We'd never had the chance to have a "normal" existence together because of the long-distance situation that limited us before we were married and then our work schedules afterward (D worked days and I worked nights and weekends). We did our best, but we were inexperienced. We floundered.

The holding pattern we maintained during this last year was only just bearable, with much of the credit to the help we sought. Now that thesis work is essentially done, we are refocusing on what we need to get to a better place.

D's been angry about the idea of starting over. That's how it all feels to him -- that somehow, everything we'd been through in the last twelve years together "didn't count." I'd argue that it very much does. We learned a lot of survival skills; they just don't apply as much anymore.

So, as we construct a new set, I'm doing my best to foster some optimism for both of us, even though he's not quite there yet. It's exhausting. You want, at times, to scream when you feel someone else scattering the fragile pieces of hope you've propped together like tinder waiting for a spark. But it's not nearly as crazy-making as battling a past-due project, deadlines come and gone, alone. As much as D wanted to, he couldn't help me write, and the responsibility I felt for our misery put me in a constant low-level panic (with intermittent high-level spikes). Now that the precipitating factor for much of that is gone -- and I'm saying no to any new deadlines that involve paying tuition on top of having to meet them -- I feel like the balance in our dynamic has a chance at restoration.

There will, without question, be other events to throw that balance off. But before then, my hope is that we'll have better tools in place to make what comes more manageable. That this will be our hope soon.

Sunday, May 1, 2011

Things I can no longer ignore

It's funny how timing works out.

I've had my head in my thesis pretty steadily (and intensely) since February -- and in the midst of concentrating on the project with so much of my brain, I had to let a lot of other things on my radar remain, at best, peripheral. Which included some aspects of my health. Nothing debilitating: some skin irritation, nerve wonkiness in my hands and feet, intermittent GI protests. The last issue has been ongoing since the middle of 2009 (despite the work-up a year ago), and after so long, I'd practically gotten used to it.

But about two days before I turned in my thesis to my committee, things started to get noticeably worse. Fortunately, I had a follow-up appointment with my doctor (the new one) the day after my draft was due, and her advice, after hearing everything that had been going on for so long, was to consider a food sensitivity as the culprit.

"Gluten and dairy," she said -- these were the most likely suspects. So she suggested an elimination diet followed by an allergen challenge. "Just try going gluten-free for three weeks then dairy-free for three weeks," she said, "and see what happens."

What else is a girl to do with all her newly available time?

I took the news back to my dietitian, who happens to specialize in this kind of testing, and she printed up the protocols. I figured the process wouldn't be fun, but it would be short-lived. Then I looked at the instructions.

"To make this kind of testing accurate and meaningful, you'll want to do more than eliminate gluten and dairy," she told me, pointing to a greatly expanded list of foods and food additives. "Sensitivities can occur in groups. So ideally, you'll want to test all of them."

I won't reproduce the whole catalog here. But let me name a few choice items besides gluten and dairy. Corn. Soy. Eggs. Peanuts. Tomatoes. Peppers. White potatoes. Processed and/or non-organic meats. Shellfish. Strawberries. All citruses. Caffeine. Alcohol. Refined sugars and artificial sweeteners. Processed oils. The list is, even for someone who already has experience with dietary restrictions, more than daunting. And the diet has to be followed for nine weeks, four to allow the body to get rid of residual allergens, then five that cycle in -- very carefully -- each group of potential irritants, one set at a time every third day.

Let's just say this isn't how I envisioned I'd be spending most of the summer.

There is an upside: if I can get this done by mid-September, I will potentially know exactly what's making me feel less than terrific -- and, after getting rid of the little menace(s), be able to go to Hawaii feeling better.

So. After the thesis is officially finished, I'll be looking into the logistics of this new project. It wouldn't be quite so intimidating if I lived on my own and had no one else to answer to. But we've been looking forward to being more social, inviting people over for potluck, taking an extended bike trip with a few friends, visiting and being visited by family. All of that suddenly seems incompatible with the trial because it's inconvenient for the people around me. Imagine subjecting visitors to all of those restrictions when we eat at home or outside the house. Or, in the opposite vein, consider the culinary acrobatics of preparing dual meals so guests can eat "normally," hosting a potluck but not eating what your friends have prepared, going to restaurants but not ordering anything and packing my own food to consume before or after. (Seriously, what are the chances a mainstream eatery will have something, besides a naked lettuce leaf, free of refined sugar, processed oil, corn, soy, eggs ...)

And then there are those looks. The ones you get from people who don't understand your limits and, once they realize just how many there are, back away warily. I shouldn't have to apologize for my circumstances but I often feel like it's warranted -- for the relatively few restrictions I have now, which already make some people uncomfortable.

I know -- those instances are occasional and I shouldn't expect to run into them all the time, but they reduce me to a sense of profound and irrational loneliness. I can't let that prevent me from doing the testing and I can't let the testing keep me from having a life. But how?

Well, if there's anything I'll learn from this experiment, it will be some kind of answer to that question.

Thursday, April 21, 2011

Printed and mailed!

And good riddance.

I can't say I like the revision I sent to my committee on Monday afternoon, but in the limited time I had to address all the comments from my advisor, I did the best I could with the file. The hard copy, which goes to the graduate college review board for more technical assessments (formatting for the purposes of binding, archiving, etc.), went out from the post office today.

So I am, until my defense a week from Monday, free of responsibility for this draft!

The last two weeks have been disheartening because the writing really did become an endeavor for the purpose of finishing my degree, to satisfy my advisor's concerns rather than adhering to the larger vision I had (and still have) for the book project. Because the work is by nature incomplete -- writing a book and writing a thesis are not on the same scale -- and because the thesis also needs to be "complete," i.e., must set forth enough evidence of thought and inquiry into my subject to merit a sense of a focused investigation, I found myself revising at cross-purposes when I tried to satisfy my instincts and my professor's. Obviously, she and the rest of my committee will determine whether I graduate, so I ended up making some changes that I will be taking out again once I have the degree in hand. (I'm trying not to think about the remaining round of post-defense revisions that I'll have to complete before that happens.)

Life here has calmed down some since my last post. It's a relief. Thank you to the lovely people who sent private words of encouragement -- you know who you are. You helped me endure a craptacular two weeks where everything seemed to go pear-shaped and I had no choice but to get through it.

In the interim before my defense, I'll be doing some serious decompression (in between a lot of backlogged household chores). And I have a new project. Not one I'd say I elected to take on, but one that has taken on unexpected priority. More on that very soon ...

Thursday, April 7, 2011

How to eff the ineffable

A writer classmate of mine once used that phrase, which she'd acquired from a former professor. I'm invoking it now because, well, there's a lot I'd like to eff.

I don't mean eff as in that wonderfully flexible expletive I would have liked to utter (as noun, adjective, verb, or other part of speech -- thank you, George Carlin) when, at the end of yesterday, my manuscript was not in my hands. Yes, I've e-mailed my professor to get the tracking number.

No, I mean, the unbloggable kind of things I'd like to eff. There are those things that, though usually not trotted out in conversation with acquaintances, I do write about here: thoughts on family, thoughts on illness.

But then there's the stuff of ugly fights, in person, on the phone. The kinds of things you take to a mediator because you just don't have the perspective to work through them in a constructive way. Because both parties involved are raw.

That's been the last month, after many more months of buildup. And I'm not inclined to go into it here because it's not constructive. Not yet.

But that plan for getting through thesis? Well, it works when it's just thesis stuff getting me down. It's not enough for the specific kind of loneliness you feel after you hang up (by mutual agreement), after you sit for hours in silence not knowing what to say or do (because the alternative -- speaking -- will make things worse).

This is what makes my thesis feel so pointless sometimes.

Yes, we have professionals lined up; yes, it's helping. A lot. I don't want to imagine where we'd be without all that in place. We are so new, however, to the changes we've agreed to make, so used to the old habits. Under duress, we fall back on what we know and everything refragments.

I confess: yesterday, I totally effed my plan. Today, I get back to it. And reshape it to address what I can't eff here.

Tuesday, April 5, 2011

Pruning and grafting

My manuscript is somewhere over the U.S. today.

I'd e-mailed the full draft to my advisor last week, as instructed. She wrote me a harried reply late Sunday night to say she'd only started reading it that day, was halfway through, and was exhausted. (She's teaching an overload and is on seven other thesis committees, she said, as she's said numerous times this semester.) She'd been writing directly on the hard copy she'd printed off. Could I give her my address so she could mail it to me, two-day air? Just the first six chapters. On the seventh, she'd had nothing to suggest.

Nothing? That gave me some pause. They say any editor, when she's giving your work the attention it ought to have, should be able to find something.

I gave my advisor the information, hoping she'd keep duplicates in case what she was sending got lost. I almost asked her if she'd do that for me, just for my own peace of mind. But I couldn't quite ask her to make copies. She was already fried. She didn't need to hear my implied mistrust -- of her judgment, the postal service, the universe. I'm working on that last one, but old habits die hard, especially after last year.

When that package hits the front porch tomorrow, I'll need to be in the frame of mind to dive in, assess what and where to add or subtract with my advisor's guidance, limited as I'm afraid it might be. And I knew that, when I sent it off, given her increasingly frazzled notes in the last two months. So I took the last days of the previous week and the weekend to leave the draft completely, to prepare myself: laundry, yard cleanup. I can't edit well when I'm surrounded by clutter.

The lavender we planted two summers ago is turning green again after the winter. And it was looking leggy. I squatted for an hour, clipping away dead wood, tidying, shaping, peering at tiny silver shoots, trying to determine how the plants would look in a few weeks' time when they had filled out.

This morning, I saw them from the kitchen window -- six little fuzzy globes by the flagstone walk -- and mumbled some kind of prayer: let me be able to see what I need to see tomorrow and for the rest of this month.

The routine my advisor and I have kept for the past two years has been more like this: I send her pages; she writes a note back summing up her general impressions with a list of specific concerns at the end. It sounds like I'll be getting the specifics as they appear in the margins, but the big picture, right when it really matters? That's what she won't be pulling together for me; she asked my permission, in a way, to be excused from that. I'm disappointed. If there was ever a time that the larger impression felt crucial -- but I can't worry about it. There just isn't anything more I can ask of her, so enough. I'll make do.

Six little fuzzy globes, six hairy chapters. At least it's not a delicate bonsai ...

Addendum 4/6: No package as of 8 p.m. PDT. Insert choice expletive here.

Wednesday, March 30, 2011

Alternatives

The hazards of heavy deadlines: a heavier Troubadour.

Not by much, but I can feel it in the way my clothes fit and I know exactly where it's coming from. I wish I could say it's just the excuse and abuse of a few irresistible restaurant menus from celebrating our birthdays earlier this month (both D and I had them). But really, it's days of an extra spoonful of this at lunch, an additional morsel of that at dinner, straight-up standing in the kitchen with one's head in the pantry in search of something to take the edge off all the stress, the kind that builds up in between those outings I wrote about last week. Salty or sweet, this girl has been going after snacks that sate her inner child who is long past tired of being told just one more page, hell, one more sentence ...

And I need to, um, scale that back.

But I also need alternatives. Because I still have a month to go before the defense -- Chapter 7 is heading off to my advisor tomorrow, after which we will do a broad assessment of the project for the purposes of revision -- and mental resources are running thin. I'm still five pages short. There are other unbloggable things going on that are making me crazy in my downtime. And my habit of medicating with food, while a tried-and-true (tried-and-false?) quick fix so I can get back to the so-called degree-finishing plan, is not working in my favor.

I'm holding myself to this by writing it here -- a plan to help me deal with my other plan. To wit, instead of sticking my head in the pantry, I will ...

  • stick my head in a book, even if only for fifteen minutes. And if I don't like the one I have on hand, I'll go find another one. Who says you have to read books one at a time? Different moods, different texts. To make this work, I'd better pile a few choice items in one place. It's ridiculous, but the endgame of thesis writing increases personal inertia some thirty fold. Don't ask me about the laundry that hasn't been done.

  • do something nice for somebody else. Small things that don't take a lot of time, like looking up and e-mailing a recipe that someone asked you about. Because if you're thinking about other people, you're not thinking about yourself, and that is EXACTLY what I need when I'm trying to get away from my own stress.

  • work on plans to go to Hawaii. Yes, travel preparations come with their own stress, but what's fifteen minutes of reading about where I might stay/sunbathe/swim in a lagoon fed by a natural waterfall/forget I ever thought this degree was a good idea/reward myself for getting done?

  • indulge in some TV via Hulu or Netflix. I usually save this exclusively for when I'm working out on the elliptical machine, but since January, I've been writing while on it (a funny picture, I'm sure, but it works). So I have a backlog of shows I keep telling myself I'll get to. Such entertainment without accompanying cardio may indeed lower my resting metabolism further, but at least it's not more calories in, just fewer calories out.

  • look up potential bike trails in our area. Summer is coming, and D and I want to try a few local outings once all of this thesis business is out of the way. It's not skiing, but we need an outdoor physical activity during non-snowy months that we enjoy together. We've figured out it's one of the better ways we bond.

Okay, I think that's enough for now. Take that, thesis! I will get done with you yet.

Monday, March 21, 2011

Feelers

I've been quiet here, I know. It's a mixed silence, some of it imposed largely out of respect for the devastation in Japan. What sorts of things that I normally write about here have any importance in the face of the aftermath there? I've watched the headlines, counted my blessings. Inched forward with writing elsewhere -- thesis, primarily, and other notes to self.

I'm on the home stretch, despite my advisor's rejecting my most recent plan to get my page count where it needs to be. We don't do analysis in this program, she said; it's not required. By which she meant, no, I don't want a report. I want more of the story.

So I went back to my draft. She'd looked it over and sent good comments, so I had new ideas on how I might make Chapter 6 grow. Early last week, I forwarded a revision to her. Now, with Chapter 7 under construction, I have just nine pages or so to go.

It's a relief -- April 1st is my goal for the final chapter -- but it's also meant a certain amount of living under a rock (beyond reading the online news). I'm taking it in stints. Each weekday, a morning session, an afternoon session. Nights off. At the worst part of the struggle to get Chapter 6 started, I was staring at the screen at all hours, still getting nowhere.

To counter the feeling that I'm turning into an earwig, I've imposed mandatory outings that involve interaction with people. To get lunch with new acquaintances during the week (a girl has to eat). To peruse an art exhibit on a Saturday afternoon, to attend the symphony with D on a weeknight, even to ski. For that last one, I took the thesis with me and nearly got carsick working on it while D drove into the mountains, but it was worth the effort. I wrote until I was nauseated and then skied until my legs threatened to buckle. Went back home with a clear head, which, above all, is what I need to keep my writing brain moving.

It's not what I expected my writing process to be, but it's true that you can't write well if you spend all your time with your attention turned within. So I'll take it, even if the workaholic in me keeps tapping my shoulder and pointing at the time.

Nine pages. The end's in sight.

Addendum 3/22: Airline tickets for the defense have been purchased. No turning back now!

Friday, March 4, 2011

Creative writing?

Another week, and still not much progress. My thesis is trying to write itself in the best way it can, but there's no brain behind it. Or rather, no heart. The paragraphs I've strung together have technical finesse, but the words feel hollow and directionless, like a blurry facsimile of the real story I want somehow to tell. And the writer in me knows it. After letting the thesis grow so many lines of text, like mutant tentacles searching for a place to catch hold, my own brain balks. This just isn't going anywhere, it says.

I've hit the point in the narrative where the story is too big for me to see its arc again. Unfortunately, this isn't a block that can be solved by reading the words of other writers for reinvigoration. In a way, it's like I've been trying to work my way out of the center of a bull's eye. The tiny circle in the middle was the first chapter; the next ring out, the four that followed. Finding a vantage point from which to see that second group of chapters took months -- from last February to last August -- and I don't have the luxury of time anymore.

I have some twenty pages to fill and two years' worth of research. Even if the story isn't falling into place, my process of seeking answers is certainly well documented. So my plan, which I've now e-mailed my advisor, is to use all of that to write an afterword. It'll give voice to a lot of questions that haven't yet been asked within the narrative and reveal the as-yet-unaddressed pieces of the story, rough as their introduction there might feel to me.

It's not the way I want to finish this. But finished is what this needs to be.

Addendum 3/6: My laptop fried a portion of its hard drive today. First the adapter cord, now the disk itself? I'm not liking this trend.

Friday, February 25, 2011

Note(s) to self

I feel like I need to write them.

I have been, actually. A quick e-mail here and there, just a sentence or two. Don't forget to do this, be sure you remember to pick up that, call this person, mail that letter, tell yourself these things because if you don't, they will blow away like powdery snow that refuses to stick.

But there's more than a list of chores accumulating in my inbox. There are ideas, baby ones, for writing. For essays that will have to wait till the thesis is done.

Trust me, I'd work on both if I could, but I know the limits of my energy and concentration. Still, I'm excited. For so long, I've wondered if all I had was this work, and if it was never to get finished or I lost interest, what then?

What then.

I wrote about inspiration in the days after my conference, and then I found myself without it last week. Out of some instinctive need, I went to the library and turned to the voices of the writers I'd met -- some in person, some through the mention of their work. And the fog in my mind began to clear.

It was not the exact subject or idea that helped me. In fact, reading someone else's work on the same thing you might be writing about can be very intimidating -- it's been done, it's so easy to think. And there are critics who will say that it's true, that love and death and trauma are all tired topics. But it's not the what of the writing; it's the how. One of the panels I attended was dedicated to that idea, what happens when we're told that something is too "done" -- or so the language runs -- to write about anymore.

I came away from that panel with more resolve behind what I'd been trying to do in the last few years. Not that this alone can clear those pesky blocks from my mind when the work doesn't know where it needs to go. But in reading the prose of one of the panel members this week, I was able to get away from my own tangled thoughts and understand, through her way of narrating her story, that sometimes not knowing how to proceed is itself the fiber that can tie words together. Instead of trying to sew up holes, I needed to point them out. And what each person doesn't know, how she navigates that -- this is what fingerprints a work, making it its own.

Chapter 6 is at last under way, and no, I still don't know where it will end up. But I know with certainty now that this is okay. That the examination of the unknown itself may be just where it needs to go.

Thank you to everyone who's sent me suggestions, exercises, and even talismans for kicking the writer's block! It's been incredibly helpful to know you're cheering me on.

Monday, February 21, 2011

Wordless

So I turned in Chapter 5.

And then I crashed.

Not that I wasn't trying to get the next part of this thesis done -- I spent every day last week staring at a blinking cursor, typing sentences only to delete them or hit enter to move them down the page because they led nowhere. False starts. Words that felt labored and unclear because the direction of the work itself, at this juncture, is nebulous too.

I fear these moments most. Chapter 5 closed a major section of the project -- an accomplishment to be proud of. But with it, the momentum of the story shut down too. There's much more I need to say, and in turning this work into a book after I finish my MFA, I will. But for now, for the next two or three chapters that I must write to make my page count to graduate, I need to know what piece comes next in this puzzle. And because all the previous chapters have so cleanly packaged themselves together (not something I anticipated, but that's where the writing went), it's like I'm starting a new thesis, in a way.

I'm not good at beginnings. And last week, in the face of this unexpected return to one, I thrashed, going back again and again to the keyboard when I should have just given myself a break. You see, I wanted to speed up the process. These blocks don't crumble without a lot of trial and error, and I figured the more time I put in, the sooner I'd find a way through.

It hasn't happened. And after so many miserable days, I need a new approach. So I'm reading other writers' words, hoping for inspiration, and trying to ignore that feeling of powerlessness as the clock ticks on.

It's still staggering.

Thursday, February 10, 2011

Reconnecting

The conference is over, and I'm spent. Three days of attending panels, meeting editors and agents, and familiarizing myself with -- well, I'm not sure there's a term to describe what the ins and outs of being a writer entails. It's art and business and mentorship and a tenuous work-life balance, at the very least. I got to hear about that in detail from many different people, who have experienced it in vastly different ways.

I'm still wrapping my head around it all. And I hope to do that in part by writing about it here. But first, I need to get down in words a different story that has run alongside the writing I've been doing for many years.

When I was an intern at a magazine in D.C., the summer before I started my last year of college, a fairly prominent photographer, but not one I'd ever heard of, gave a talk during lunch. He was about sixty at the time, married without children. He spoke about his work, which took him around the world, but more importantly, he spoke about how he came to it from a childhood in rural Ohio and described the family he grew up with there. While he didn't say this explicitly, I saw how their stories were entwined with his and, as a result, were knitted into the photos and writing he crafted long after he'd moved away, like fiber wicking ink.

Under his words whispered a stranger language that my ear didn't understand but some other part of me did. I wouldn't have called it a soul at the time, but I will now. It sat up and took notice, recognizing, though we'd never spoken directly, writing-kin. I was only beginning to learn, in crafting narrative essays, what he seemed to be demonstrating in his photos: the act of examining one's life by looking at and documenting, counterintuitively, the lives of others we encounter. And I wanted to say, yes -- yes! This is what my work is for me too, and thank him for revealing this to me, even as more questions about that impulse threatened to overtake the thought before it was fully formed.

He invited the interns in attendance to contact him at any time after his talk if we had questions or were interested in chatting more, so I sent him a note toward the end of the summer. Coffee, I suggested. Dinner, he replied, his treat. And so, at a tiny Japanese restaurant, with a chef who would introduce me to my first taste of sushi, we talked in the way an intern and a mentor might about writing and life -- or were they, in some breaths, the same? -- until the lights were bright on the sidewalk and the heat of the city had gone.

*

We didn't speak again for years. I graduated, began teaching, got engaged, took a different job that leached what soul I did know I had from me, planned a wedding, and neglected my writing throughout it all. Then came grad school and commuting, not a year after D and I were married. I had no reason to go to D.C., and certainly nothing I felt compelled to share with this man who had encouraged me in his own way to pursue what mattered to me. The challenge of the commute overshadowed my work at Little U., and it made me doubt my drive to write. I stared at white space without excitement or joy or even curiosity about what might appear.

But I remembered what the photographer had said in his talk, so many years ago, about his own challenges before a near-empty page. "Never stop in a tidy place," he said. "Leave a sentence unfinished, an idea only halfway developed, a paragraph mid-stride, as it were. That way, when you come back, you will be able to pick up and re-engage."

So as I did begin to put one word in front of another in this last year, I followed his advice. And the work that has emerged is in some ways the result.

Once I knew I'd be going to D.C. for my conference, I wanted to find the photographer to return, at the very least, the kindness of the meal he'd treated me to. I found his name in a posting for a photography class several months old, but fresh enough that the media contact might still know how to reach him. I wrote to her, telling her in brief this story.

Two days later, the photographer wrote me back. "I remember you well and have often wondered where you were and what [you] have been doing," he said. He'd moved away from D.C. but still visited the city from time to time to meet with his editor. "So please tell me when you will be there. Perhaps your visit will coincide with one of my trips. I hope so."

On Monday, we met for lunch. I was early and tried in vain not to be nervous; he was late and put me completely at ease. From the moment we saw each other, it was as if we were simply picking up the conversation we'd suspended. And so we talked about writing and life, just as before, but this time as friends.

I remembered then what it was to love what I do but even more so how much a connection to other writers is essential to me in sustaining such a solitary art. So I am glad for this dialogue we've restarted, one that promises to continue for a long time. As it turns out, the photographer visits Seattle once a year, so we have an informal standing get-together for the foreseeable future.

As for that strange language I first heard during his talk, I was surrounded by it all week, even in the moments when I was overwhelmed by all there was to take in. So I think it's safe to say I was doing what I needed to for a long-forgotten part of me, and I won't question that further. Or at least, not as much -- as long as this language is mine to hear.